Coulrophobia: the fear of clowns. The setting of a cornfield (Lost in a Maize over at TVTropes). Two prominent and familiar horror elements, so if you combine a creepy clown figure with the tried-and-true setting of cornfields, you’ve got two great tastes that taste great together in the horror genre. Thus, we have Adam Cesare’s Clown in a Cornfield trilogy.
The first novel in the series, Clown in a Cornfield (published in 2020) introduces readers to Quinn Maybrook, who moved from Philadelphia to Kettle Springs, MO with her father (a Doctor) after the death of her mother. Kettle Springs fits the trope of many such stories: that of a town seemingly passed by the future. A once booming industry/company was at the center or Kettle Springs – The Baypen Corn Syrup Factory, which recently closed and was burned down.
Before we meet Quinn; however, Cesare introduces some of the local Kettle Spring teens hanging out at a flooded rock quarry. As teenagers are won’t to do, they dare each other to do something dangerous and potentially stupid: dive into the water. When one of the kids doesn’t resurface, the tone of the novel (and series) is largely set: there will be deaths.
Quinn is barely settled into her new home and school when Frendo the Clown makes its appearance known. Quinn is invited by her newfound friend Cole Hill (whose father happens to own Baypen) and his friends Janet, Ronnie, Matt, and Tucker to join the Founder’s Day party (the typical small-town celebration) as well as the after-party in the neighboring cornfield. Frendo shows up at the after-party, uninvited, and starts killing people. Frendo was the mascot of the Baypen Corn Syrup company, but its face and appearance have been appropriated – much like the Ghostface from the Scream film franchise – so people could begin murdering the teenagers. Especially the “troublesome” kids. Classic slasher, kill the kids. But who? We don't exactly have a Billy Loomis figure here, but Cesare doesn't try to give a red herring in that way.
Horror has often been laced with social commentary and Cesare picks up that baton from his predecessors. The parents of this community are somewhat locked in their ways, they don’t have much trust in their kids and the kids who live in Kettle Springs. The death at the rock quarry only hones those thoughts even more. One might even say these parents want to make Kettle Springs great again. There’s very much an undercurrent of that “things were better when we were younger, these kids are ruining everything” mentality that can easily lead down a path of toxicity.
Some of those adults include Cole’s father Athur Hill, Sheriff Dunn, a waitress named Trudy, among others, but Arthur and Sheriff Dunn serve as the primary antagonists of the novel who drive the adults to take care of their kids’s mistakes.
The first novel, then, has elements of the expected (but very much heightened) friction between two generations; slashers; and small town with dark secrets. Think one part Stand by Me, one part Footloose, and one part Scream.
Clown in a Cornfield is an impressive, compulsively addictive novel. Cesare manages to craft a story that has appeal to hardcore horror fans (like myself) as well as a story that is welcoming to readers not as into the genre. The book is published by Harper Teen and has that YA appeal with the youthful protagonists at odds with adult antagonists. For his efforts and the quality that is the outcome of those wonderful efforts, Adam Cesare received the Bram Stoker Award for Best Young Adult Novel for Clown in a Cornfield. I haven’t read the other books on the finalist list from that year, but I can say I am not surprised in the least that Cesare won the award.
The second book, Clown in a Cornfield 2: Frendo Lives, picks up about a year after the events of the first novel. Few have survived the onslaught of Frendo (or rather, Frendos), although Quinn is one of the survivors as are Cole and Rusty, who are now officially a couple. Quinn is at college in Philadelphia and thanks to a “documentary” called The Baypen Hoax nobody believes that what happened to Quinn and her friends is real. Even when she is attacked by another Frendo during a college party at the same time her father is attached by a Frendo back in Kettle Springs. Quinn is still at the center of the story in the second installment, the heart of everything.
Of course, Cole, Rusty, and Quinn return to Kettle Springs where they learn of conspiracies and an internet movement around Frendo, #FrendoLives, which gives us the subtitle of the second novel. There’s a good bit of social commentary in this book again, such as that internet movement and how many people think the events in Kettle Spring are a hoax. Not quite social commentary, but a statement, I suppose is making the primary romantic couple in the book a gay couple. More than anything, it is a normalization of the relationship and it is quite welcome.
In general, I think Cesare did a great job of weaving these kinds of messages into the story, making them essential elements to the story, but not browbeating the reader with any heavy-handedness.
Frendo definitely lives, there’s an army of Frendos at one point in a harrowing, pulse-pounding scene. Nobody really escapes this second installment unscathed and by the end, Quinn is a mentally and emotionally scarred young woman with a list and a purpose.
The finale, Clown in a Cornfield 3: The Church of Frendo, is a departure in some ways from the two novels that preceded it which is not a bad thing at all. Again, though, Quinn is a heart of the novel. She is on a mission to find the various people who donned Frendo masks and tried to storm Kettle Springs in Frendo Lives. Joining Quinn is a young man named Johnny as well as the ghost of the original Frendo masked killer, Arthur Hill although only Quinn can see Arthur. The two regularly converse which makes clear that Quinn is Dealing With Some Shit, understandably.
While Quinn is tackling her hitlist, the “dream” of Frendo is still alive back in Kettle Springs. By dream, I mean church (as the title implies), but what I really mean is a cult. Cesare gives us a great sightline into this church/religious movement through a couple of the young girls whose parents are swept up (in more than one way) in the Church.
Another thing Quinn isn’t quite aware of is that somebody is pursuing her. Rather, she knows she’s a recognizable individual and just might be a fugitive, but she isn't fully aware a sinister organization is hunting her just as she’s hunting the members of the Frendo mob.
The Church of Frendo, much like its two predecessors is an addictive read; the pacing is frantic (in a good way) and Cesare continues to give his characters depth, they engender empathy, they are relatable, and they are interesting. A very satisfying conclusion to Quinn Maybrook’s story. Cesare has intimated he may have more stories set in this world, if so, sign me up for them!
Cesare has managed to give horror fans a fascinating and complex take on the “Final Girl” in Quinn Maybrook. You can see elements of Sidney Prescott (Scream) and Nancy Thompson (A Nightmare on Elm Street). Quinn is not going to be kept down, she’s going to take charge of her destiny. Quinn felt very real to me, I couldn't help but root for her throughout the saga. As I said earlier, Clown in a Cornfield is one of those great stories that has appeal to long time horror readers (of which I count myself) and people curious about the genre or somewhat unfamiliar.
As I was writing up this review, I realize how little I mentioned the fact that this is a YA set of books. I think part of that is because my experience reading these books is that Cesare just told a great story, labels be damned. The imprint is Harper Teen and Cesare explicitly aimed these books at young adults. Be that as it may, do NOT let that dissuade you or let you think these books are "soft" or "tame." That’s part of what I was getting at in that these books will and should have wide appeal horror readers of all ages. There's blood, there's murder, there's adult themes. The social commentary is woven naturally and elegantly into the story and it isn’t tacked on.
The bottom line: Clown in a Cornfield is a modern horror masterpiece and I am looking forward to more stories from Adam Cesare.
I am also looking forward to see the film, which is written and directed by Eli Craig (Tucker & Dale vs Evil, Little Evil) which is in post-production as of this writing. It is listed on imdb, but I haven't seen too much official about it outside of this post at the venerable and indispensable Bloody Disgusting web site.
