Friday Round Up: Rocket Talk with Justin Landon; Lou Anders and Joshua Palmatier @ SF Signal

After a couple of relatively slower weeks of no new reviews or any content from me, two things appear on the same day, such is life in the hectic world of SFF blogging and reviewing. . Add to those a review which appeared appeared the day after my last link round up, and you have my post for today. Speaking of SFF blogging and reviewing, that was the topic of discussion in one of my appearances this week.  My pal and Tor.com colleague Justin Landon (of the now closed Staffers Book Review blog, the Joe Abercrombie Re-read for Tor.com, and general genre rabble-rouser) had me on the Tor.com Rocket Talk podcast he leads. We talk about the reviewer/fan/author relationship, some other bloggers and a few books we've both enjoyed.  I thank Justin for having me on his show because in all honesty, I'm pretty pleased to be a guest on the same podcast that has featured some great genre folks like Joe Monti, Kate Elliott, N.K. Jemisin, Robert Jackson Bennett, and Delilah S. Dawson.

A couple of weeks ago, my review of Lou Anders's debut novel Frostborn, itself the launch book for his Thrones and Bones series went up to SF Signal:

Perhaps what I enjoyed most about the novel are the hints at so much more to come, from the hinted-at future for their further adventures to the wonderful world-building which serves as the backdrop of the story. As I often say in novels with great world-building, the world itself is a character and the details are seamlessly delivered through the characters. Such is the case with Frostborn. The world-building does not smother the story nor is it over-indulgent; it enhances the story. I’ve been following the author on social media and listening to podcasts in whch he is featured, and he often spoke about the world-building in this novel and how he fell in love with the Norse region/myth as he was writing this novel. That love comes through quite well. When an author is able to show how much fun he or she had writing and creating a work, it can make for an even more engaging read, like it did here with Frostborn. Many people reading this review will know of the author’s experience on the other side of the publishing desk, which can be seen in his smart approach to the novel.

About an hour Rocket Talk posted, my November Completist column posted to SF Signal. This time, I took a look at Joshua Palmatier's The Throne of Amenkor trilogy:

I turn my focus on Joshua Palmatier’s “Throne of Amenkor” trilogy of books; a series about a haunted throne and the street urchin/thief who becomes tied to the throne. At the time Joshua’s debut published, he might have been overshadowed a bit by two other authors debuting at the same time – Patrick Rothfuss (a DAW stable mate) and Scott Lynch (who tells Lies about a thief named Locke). Joshua’s books are fun, engaging, and where they have an edge over Lynch and Rothfuss’s series is the fact that the series is complete.

In an SFFH landscape where readers are seeking stories which eschew the standard male protagonist, Palmatier has created a powerful and engaging female protagonist in “The Throne of Amenkor.”

Friday SFFWorld and SFSignal Round-up: Boyett, McClellan, Bywater, Hines plus more!

Here's my semi-regular round-up of reviews and assorted linkery from the past week or so.  Last week, my Completist column for SF Signal went live, this time featuring a two-book series that might be considered cult favorites, The Change books by Stephen R. Boyett:

In the Changed world of the novel, no creature is more magical than a unicorn and nothing holds as much magical power as the horn of a unicorn. It is for this reason that Pete and Ariel must constantly be on guard and aware of their surroundings even more than usual in this dangerous new world. When they come int the area of Atlanta, this danger confronts them head-on as an imposing man on a Griffin who, on behalf of a powerful Necromancer in New York, demands Ariel’s horn. Fortunately, Pete had recently befriended a warrior named Malachai Lee who helps to fend off the Griffin and its rider. Malachai is a sword master of the newly changed world and takes Pete under his wing. With the real threat of a bounty on Ariel, Malachai sets out for New York to confront the Necromancer, demanding Pete and Ariel not follow him.
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Even though Elegy Beach and Ariel are told in the same type of narrative voice, Fred is a much different narrator than his father. That said, Boyett’s voice in Ariel was crisp and honest, and much the same can be found here. The framework of the two novels is similar; both are essentially quest fantasies wherein the heroes must travel to the enemy’s stronghold and bring him down to save the world.

This week, I posted a new review to SFFWorld for the first time in a few weeks. The book under review? The Crimson Campaign, the second installment of Brian McClellan's Powder Mage Trilogy, which is evolving into a premier Epic/Military Fantasy series.

War is still raging between the Adro and Kez, caught in the middle are Tamas, Admat, Taniel Two-Shot and one-time seamstress Nila, among others. The Crimson Campaign is the second installment of Brian McClellan’s Powder Mage Trilogy and as excellent a debut as was A Promise in Blood, he elevated his game with this second novel.
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Where A Promise of Blood gave a broad stroke of the military, The Crimson Campaign delves much more into the importance of stability in the military. McClellan also shows how short-sighted leadership can cost a great deal in the long run. Although the gods are a part of the story, these gods are backdrop and merely a part of the story rather than the complete focus. People in the story don’t universally believe the gods have returned, despite a few of them (Taniel, Tamas, Ka-Poel) conversing with the Gods. Rather, they are just one more complication in the larger global conflict; the gods are not the be-all end-all of the story. As such, one can consider The Crimson Campaign a slide from Epic Fantasy along lines of his mentor Brandon Sanderson and into a story more grounded as a Military Fantasy, with a stronger resonance to Glen Cook’s landmark Black Company novels as the story has progressed through two volumes and there’s still a vibe of Abercrombie in the feel of the story at times. These are all good things.

At SF Signal Sarah Chorn's (aka Bookworm Blues) ongoing series Special Needs in Strange Worlds features the great Jim C. Hines.

Also at SFFWorld is a review from Mark Yon of Stephen Bywater's debut novel The Devil's Ark:

Set mainly in the 1920’s, the story tells of Harry Ward, a photographer working in Iraq/Mesopotamia. Still affected by his fighting and his injuries there in The Great War, he takes on what should be a relatively simple job – to take photographs of an archaeological dig just outside Mosul.

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Whilst the plot may not be particularly new, The Devil’s Ark is a great fun read. Sometimes you can be happy knowing what sort of thing to expect in a read and here in The Devil’s Ark the reader is not disappointed. Like a good Hammer Horror movie or a Weird Tales magazine story, the fun here is not in the actual events as they happen but in the telling.

This is a good debut. Stephen manages to set up the tale well, evoking images of an ancient Empire, lying redolent in desert heat, whilst an even older evil is awakened.

Some great podcasts have dropped this week, too:

• The new podcast Justin Landon runs for Tor.com, Rocket Talk this week features Brian T. McClellan and Delilah Dawson. McClellan is a writer I've come to really enjoy (duh, look at the review I linked above) and Dawson is an author whose work I really would like to try. I follow her on twitter and she dishes out some great advice.
• Two great SF Signal podcast, both from the Pike Peak Writer's conference Patrick Hester attended:
• Diversity in Genre Panel Live from PPWC2014 With Carol Berg, Jim C. Hines, Chuck Wendig and Amy Boggs
• Patrick interviewing Carol Berg, another author whose work I hope to return to after enjoying her debut years ago.