SFFWorld Weekly Round up featuring Wendig, Star Wars, and Pern

Three new reviews at SFFWorld the past week, two from Mark and one from me.  First off, is Mark's review from earlier in the week.  A book which pays tribute to Anne McCaffrey's fiction, primarily her Dragonriders of Pern.  The book, Dragonwriter, sports a beautiful Michael Whelan cover

As the sub-title suggests, Dragonwriter is a biographical tribute to Anne. It contains essays from many of those who knew her personally and worked professionally with Anne. These include David Brin, Sharon Lee and Steve Miller, Wen Spencer, David Gerrold, Elizabeth Moon, Lois McMaster Bujold, Mercedes Lackey, Jody Lynn Nye, Elizabeth Ann Scarborough, artist Michael Whelan, songwriter Janis Ian and her children Todd and Georgeanne (Gigi) McCaffrey.

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McCaffrey tales are often ones where the relationships between the characters are primary, whether the characters are human or dragon. She was a writer not afraid to write about relationships or sex, and her books are seminal examples of what we now see as ‘soft-SF’, dealing with relationships and personal issues rather than the previously more typical Hard SF, with its (usually) male-scientist, can-do-anything type of role. Anne’s female characters are strong-willed and very different from the women-as-victim stereotype often seen in SF’s early days. The societies are cooperative and designed for the good of the Hold rather than individual gain – something which no doubt also made the stories popular.

My review this week is from an author whose fiction I first encountered earlier in the year and loved.  Chuck Wendig's first young adult novel, Under the Empyrian Sky is also the first installment of his Heartland Trilogy:

Wendig infuses this novel with a great deal of despair and anger, but lifts it up with small tent poles of hope and allows his characters to funnel their rage towards potentially positive goals. All of the characters seem to have varying levels of desperation, even the so-called villains in novel like the aforementioned mayor’s son and the mayor himself. Rigo’s father is a drunk, Cael’s father has strange tumors as a result of the corn, and his mother is bedridden. So yeah, not many smiles to go around. But what makes the novel so damn readable was the drive fueled by Cael’s anger. As I said, he manages to funnel it towards positive ends (most of the time), but of course, the anger does get in the way.

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I couldn’t help but continually draw comparisons between this book and the game Bioshock: Infinite, in terms of the feel of a frontier America mixed with some vaguely steampunk technology and settings both evoked. While Under the Empyrian Sky might not have the Vigor-enabled powers and some of the time-travel elements, the idea of revolting against an imperial overlord and even a city in the sky are similar.

Lastly (and actually yesterday), Mark had a look at one of those "Technical Manuals" of fictional constructs, Star Wars Blueprints - Inside the Production Archives by J.W. Rinzler:

Star Wars Blueprints is a book that covers all six movies to date, in production order: so from Star Wars A New Hope, (Episode IV) to Revenge of the Sith (Episode III), which will be a nice closure before the new Disney/Lucasfilms appear in 2015. For each film Rinzler gives the reader a potted background as to how it came about from a production point of view.

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Of the blueprints themselves, some are excellent: some just made me go “Huh?” We have a nice range of set blueprints – the Millennium Falcon hangar at Mos Eisley and the Death Star Trench from Star Wars (Episode IV), to the Hoth Command Centre and the Reactor Control Room (Empire Strikes Back, Episode V) to Jabba the Hutt’s throne room and barge from Return of the Jedi (Episode VI). It was also pleasing to see some of these still labelled ‘Blue Harvest’, the secret name for Jedi’s early production drawings. Of the omissions, I was surprised not to see more drawings of the iconic Death Star or the Imperial Cruiser here, although they have been covered elsewhere.

SFFWorld Review Round-up: Baxter & Pratchett, Hough, Kemp, Jemisin, Martin, Willis

Some new reviews  have been posted over at SFFWorld and the SFFWorld Blog over the past coiuple of weeks. Reviews from both Mark and myself, as well as Nila White.  Here goes...

Visitors to the SFFWorld forums who know Mark are probably aware he's a big fan of Connie Willis.  His take on the collection The Best of Connie Willis (SFFWorld / SFFWorld Blog):

There are 10 stories, the 2006 Worldcon Guest of Honor Speech and her Grand Master speeches (both given and as an alternative version) included. As the editor of the book points out, Connie is nearly as well known for her presence on the US convention circuit as she is for her writing, so her speeches are nearly as entertaining.

What may also make this a must-buy for those who know the stories is both the Introduction by Connie and an Afterword by Connie for each of the ten tales. Like the speeches, they are, as you might expect, emotional, filled with warmth, wit and great self-deprecation, as well as clearly showing a deep everlasting love for the genre. Connie’s Introduction to her stories and how she came to read (and write) SF is about as eloquent an homage to older writers as you can get. The Afterwords end each of the tales nicely.

Yesterday (7/16), I reviewed the debut novel from Jason M. Hough, The Darwin Elevator, which also launches his Dire Earth Cycle of novels:

Hough does a lot of things well in his debut effort, The Darwin Elevator, which also launches The Dire Earth Cycle of novels. There’s a convincing sense of despair and desolation as conveyed through the characters who live in the world. Hough also imparts a plausible sense of fear about the Elevator and the characters concern over its source/origin. The elevator itself is more than just a MacGuffin, the mystery behind it, as well as potentially more events or contact with the builders is theme laced throughout the narrative. Neil Platz is the Donald Trump/Lex Luthor (with a slightly more altruistic bent, but still the Magnificent Bastard) like character who pulls many strings in Darwin and the civilized world. He was able to build his power and influence because he just so happened to have built power, water, and energy supply stations near the center of the civilized world which is now Darwin. Timing is everything and knowledge is power seem to embody Platz.

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Unfortunately, the inconsistent pace of the novel brushes over some of the characterization, especially regarding Skyler’s crew and the snarling Russell Blackfield (surprise, he’s an antagonist). Danger is inherit in an apocalyptic landscape with an alien technology people fear, don’t understand completely and whose origins are in question.

Over the past weekend, Nila had a look at the first installment of N.K. Jemisin's Dreamblood duology, The Killing Moon:

The Killing Moon is more about a time and place of Jemisin’s making than it is about any of these characters, but they will make you rejoice and weep as you follow them into the dream world and struggle to overcome the corruption that seeps through the fabric of their lives and their religion. This is the book’s greatest strength: its richly layered world and its incredible characters.

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Based on both Egyptian mythology and Nairobi traditions, I actually found the book to be too short. I wanted to spend more time with the characters in the places they found themselves, from the streets of the outer city of Gujaareen, to the desert oasis, and further afar into Kinsua. I found the cultures Jemisin created in the two city-states. as well as the religious Hetawa. to be both an interesting interpretation of African mythology as well as a relief from our own cultural hang ups concerning sex and gender. Not that the cultures in this book are perfect in that regard, but different from our own western sensibilities - and I liked it. I wanted more ‘meat’ to this story and would have been glad if the book was twice as long.

A little over a week ago, I dove into a long out of print fix up novel/collection from George R.R. Martin, Tuf Voyaging:

Seven stories are included in this fix-up novel/book and are presented in chronological order of the events of Haviland Tuf and his acquisition of the Ark rather than publication order.

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Martin has long professed his admiration for Jack Vance’s writing and these stories can very much be seen as homage to Vance or his style. The balance of humor and fantastical situations were hallmarks of Vance’s work. In particular, one might imagine Tuf himself interacting with Cudgel the Clevor or Rhialto the Marvelous. Undoubtedly, Tuf’s deadpan style and pure logic work in direct contrast to every personality he encounters. Nobody trusts Tuf, he is distressed by this lack of trust when he always attempts to present himself as, if not altruistically as possible, as logically as possible. Humanity has evolved to a state on many of the planets he visits that logic is far from even the tenth lens to view their respective world.

Last week Mark posted his review of The Long Earth, the collaboration between Stephen Baxter and Terry Pratchett (SFFWorld / SFFWorld Blog):

Much of the actual bones of the tale appear to be themes of Baxter’s, as there are resonances of his writing style, so reminiscent of Arthur C Clarke, throughout. There is an imaginative extrapolation of the ‘what-if’ here. The consequences of people migrating to these new worlds, the changes in society, trade, commerce and even religious belief are all examined here, and have that overarching tone of some of Baxter’s other books, such as Evolution. The characters also seem to fit the Baxter/Clarke template, in that they are not particularly deep or complex, but they are understandable and accessible. In terms of worlds, the writers clearly had a lot of fun explaining extinct animals and sapient civilisations. There’s a definite Arthur C Clarke/Olaf Stapledon feel of epic-ness to that aspect of the plot, which I am assuming comes mainly from Stephen Baxter.

If Stephen brings the imagination usually demanded by SF readers, what we seem to get, with added Pratchett, is a warmth and a less clinical, more human dimension that will appeal to those readers less SF-inclined. Readers should not be misled, however - this does not make a laugh-out-loud, comfortable Discworld-kind of novel – but there is, in places, a wry grin, and even at times a little acidic statement (something Terry can do very well.) In tone, this is more like Nation than Discworld. It is clear from the start, though, that when the power for the stepper is a potato, it’s obvious that there’s going to be a certain amount of humour involved. How a potato can change the world… 

A few weeks ago, I posted my review of Paul S. Kemp's second Egil & Nix novel, A Discourse in Steel (SFFWorld / SFFWorld Blog):

I said in my review of The Hammer and the Blade that Kemp is evoking Fritz Leiber, that evocation/homage continues here in A Discourse in Steel quite nicely. The protagonists Egil and Nix are fully realized characters who breathe and banter in my head like old friends. Kemp’s writing/storytelling with this duo puts you in the room, the tunnel, or dungeon with them; essentially, it feels as if you become part of their group. Sword and sorcery can be considered the fantasy equivalent of the buddy movie and Egil and Nix, along with Scott Lynch’s Locke and Jean, are perhaps the most entertaining buddies in the genre. Egil and Nix are a bit more experienced, which adds another layer to their dynamic and the depth of their history. At times I’d almost expect one of them to echo Murtaugh in saying I’m too old for this shite. That age and history comes into play as the Blackalley plays against a person’s fears, sorrow and loss. This affects Egil very profoundly as the regret over his lost wife and child continually come back to him as the duo progress through the narrative.

Recent Reviews & Interviews at SFFWorld: Ryan, Decker, Matheson & Pacific Rim

The SFFWorld Blog (and reinvigorated SFFWorld main site) have seen a flurry of new content posted over the past couple of weeks, some reviews from Mark and me, plus a new interview.

Earlier in the week, I posted my review to what is likely to be the most impressive debut fantasy novel of 2013, Anthony Ryan's Blood Song:

Much of the novel follows the growth of Vaelin from a blank slate of a young child to a hardened warrior trained by the Order in the art of war and combat. Vaelin distinguishes himself early, gaining the respect of his peers and making close ties with a handful of boys, much like (I assume) soldiers would bond during their military training. Vaelin comes to think of these peers as his brothers, Barkus, Caenis, Dentos, and Nortah. The bonds of trust and respect that develop between these young men are strengths of Ryan’s narrative on full display throughout the novel. One writer I’ve always felt who handles such bonds of friendship between youthful characters is Stephen King (The Body, Hearts in Atlantis, for example) and here, Ryan captures that bond just as powerfully.

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Ryan’s style is somewhat relaxed and paced extremely well. I was lulled into the novel with Ryan’s almost conversational tone which kept me reading as the strength of the narrative’s power clung to me very strongly. The framing device, a chronicler hearing the legend of the man from the legend himself, utilized allows for an unreliability to set in as the novel progressed. Questions the historian Someren asks don’t exactly match with the narrative it seems Vaelin is telling in the framed sections of the novel. Unreliable narrators work best when this unreliability comes through subtly, and like Rothfuss and Gene Wolfe before him, Ryan pulls off this balance quite well.

I read and loved James K. Decker's The Burn Zone earlier in the year and it will likely go down as a top SF read for me this year.  As such (and with a pending Author Roundtable with him, T.C. McCarthy and a yet unnamed author).  Here's the link to the interview:

For folks who are on the fence about reading The Burn Zone what would you tell them to push them over the edge to read the book?

As a science fiction fan, I feel like not enough science fiction attempts to go out a little bit on a limb. My editor informed me that The Burn Zone was totally different from anything they had in the works when release time came – I wasn’t sure if that was meant as a good thing or if they were nervous about it, but I am a science fiction fan, and I love works that make an effort to be different. There is violence in The Burn Zone to be sure, and yes, there are aircar chases and action sequences, but underneath all that is the story of real people with real world problems that matter. Come out and join me on the limb, it will totally hold us all.

Mark posted a review of the classic (and IMHO, the best modern) vampire novel I am Legend by the late Richard Matheson:

The story is pretty straightforward. Starting in (a future) 1976, the story concerns itself with Robert Neville, the last surviving human in a world of vampires. Every night his barricaded house in Los Angeles is surrounded by vampires who wish to claim him and spend their time shouting at him to come out. His days are spent repairing the damage from the previous night, collecting provisions and trying to find a cure for the mysterious vampire illness that seems to have appeared almost overnight. As the book develops, Neville realises that he must find a cure if he is to survive.

Surprisingly to me, I hadn’t realised when I first read it that this was Matheson’s first published novel. Though he went on to write Hell House and The Incredible Shrinking Man, as well as scripts for The Twilight Zone and films, for a first book this is startlingly frank - a dark and angry novel. Though not perfect, for a debut novel it is stunning. The prose is stark, simple and yet effective. It is a masterwork of the minimal, one of those books that says more by saying less, bluntly and directly.

Mark also had a look at the behind-the-scenes / art book for the forthcoming film, Pacific Rim: Man, Machines, & Monsters:

This book shows that he clearly enjoyed the experience. The robots, monsters, cities, boats and other vehicles from the film are all shown here in various guises, in quite some detail. Although there’s the odd film picture, the book also shows a lot of obligatory behind the scenes photos of the film’s quite colossal production.

To the book itself, then. Presumably like the film, it is a lavish production – quality stock, lots of full-colour pictures throughout, and some lovely big versions that would look terrific framed. The attention to detail is very pleasing. The book has lots of little items stuck into the book throughout, that the inner fanboy/girl will love. There’s posters in an envelope at the back, Jaeger stickers, alien diagram pullouts, identity cards, blueprints of all the main robots, a page from Guillermo’s notebook. It’s the sort of thing you can imagine being paraded proudly in the school playground, although the reader may find them a little fiddly and annoying, even when they look great.

SFFWorld Review Round up - Stephen King, T.C. McCarthy, and Seth Patrick

We've got some new reviews over at the SFFWorld Blog!  Two from Mark, one from me. I'll do this alphabetically by author last name, which leads us to Mark's review of Joyland by the great Stephen King:

By using evocative language and vivid imagery on the cover (shocked red-headed girl in a green outfit), Stephen’s made sure that readers are aware that it’s a pastiche. It’s meant to have the tone and physical properties of a cheap pulp novel from the 1950’s, although as it’s from Stephen, the style and intelligence of the plot elevate it a little from those potboilers of yesteryear.

With such elements in mind, the plot’s pretty simple. It’s a coming of age tale, a story of a young man (Devin Jones), with a broken heart, who takes on a summer vacation job in Heaven’s Bay at a rather seedy and run-down amusement park called Joyland. There’s an old tale of murder (for what old Amusement Park doesn’t have a tale of murder in its shadows?), and Devin has to deal with some hard and deep life-truths along the way. There’s also a touch of psychic prediction - “There’s a shadow over you”, the fortune teller Madame Fortuna tells Devin – which is reminiscent of other King tales, although much of the beginning of the book is Devin working through the summer, learning the carny ‘Talk’, nursing his destroyed ego and making new friends before deciding that he likes the carny life. He decides to stop on instead of going to college, which means that he stays at Joyland after the main summer season, as the park begins to wind down to season closure and refurbishment.

Yesterday, I reviewed Chimera, the concluding installment of T.C. McCarthy's superb Military Science Fiction series, The Subterrene War:

Bleak, dirty, confined, stressful, uncomfortable… these words only begin to hint at the type of story McCarthy tells in Chimera, the concluding volume of the trilogy. Keeping these rather unpleasant themes together was the compelling power of McCarthy’s narrative. In Chimera, Stan is our first person narrator and the angst he feels throughout the novel is palpable. He resents his wife, he initially blames himself for his old partner’s death, and he hates the germline soldiers (genetically engineered super soldiers) most of all. Stan immediately dislikes his new partner whom who Stan gives a racially derogatory nickname/callsign of Chong. About the only characters with which he gets along are his wife’s son (who is the result of an affair with a nameless man from the factory where the genetically engineered soldiers are created) and the artificial intelligence housed in his body armor, Kristen.

When ‘out’ of the theater of war, at home, or in civilian life, Stan, like all citizens, is constantly monitored. He is unable to have any private discussion with his estranged wife and only when he is in the deepest, least civilized sections of the jungles does Stan come close to feeling unsurveilled. This ratchets up the paranoia level and the theme of no privacy is something the great Philip K. Dick returned to often in his fiction.

Over the weekend, Mark posted his review of Seth Patrick's debut, Reviver, one of the best debuts he's read in a while:

Wow. I wasn’t expecting this one to be that good. But it draws you in from the rather visceral and very chilling first chapter. Reading like a TV series script (and admittedly, it would make a great TV series), the reader is soon getting to know Jonah, his soon-to-be-retiring boss, Sam Deering, Jonah’s reviver colleagues and his friends as he tries to uncover the big conspiracy. They develop into characters the reader is interested in and then concerned about, using the idea of ‘What-if?’ and applying it to the logical consequences within a contemporary time-frame. It’s fast, surprisingly accessible and easy to read, and was a difficult-to-put-down novel in the first thirty pages. Whilst the ideas aren’t that new, the way they’re written is engaging and exciting. Most of all, the majority of the decisions the characters make and the actions they take are sensible and logical, although it does go a little ‘action-hero’ at the end.

This one really worked for me. The set-up’s great, the characters are likeable and easily differentiated. Though we do drag in the odd cliché along the way, there’s enough new revelation as well to make the story work.

New Reviews at the SFFWorld Blog - Abraham, Miéville, and Knight

New reviews over on the SFFWorld blog this week:

Mark's review of The Tyrant's Law by Daniel Abraham. I read this one, too and loved it. My review should be popping up on Tor.com next week.  Here's a bit from Mark's review:

What we get more of here is a sense of the Epic, in that the eleven races of human, previously mentioned but not given too much detail, are fleshed out more. We see more of their nature and actions, as the consequences of what has happened before ripple out wider and begin to both affect them and draw them into the conflict.

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All these narratives are in separate chapters as before, but as the plot thickens they connect and divide throughout. Much of the fun of the book is seeing how these characters separate and follow their own narrative paths, developing as they do before affecting each other again. As before in the series, not everything goes the way we as readers might suspect. Loyalties are rekindled, new characters divide up the fellowship, and further division. And throughout there is still the insidious influence of deities and revelations of dragons.

Mark pulls his review of Looking for Jake by China Miéville from the SFFWorld Archives

There are thirteen stories and one novella in this collection; three of these are new, one story dates from 1998. The novella, The Tain, was originally published by PS Publications in 2002, and is the last of the fourteen stories in the book.

I have enjoyed what I have read of China’s work, even when it is not an easy nor comfortable read. One of the key characteristics of New Weird, as I see it, is its ability to unsettle – to jolt the reader from the cosy environment of their reading environment. This collection clearly does this.

The general theme of the collection is a common one in most of China’s work - one which looks at horrors, both physical and mental, real and imagined. What this collection does, unlike Perdido Street Station, The Scar and Iron Council, is use real places and real events, which emphasises the unreality – when what we know and understand becomes something twisted and surreal

I go through the Way-Back machine to highlight E.E. Knight's debut novel and the novel that launched his very entertaining Vampire Earth saga, Way of the Wolf:

E.E. Knight postulates a grim future in his debut novel, The Way of the Wolf. The reader is introduced to a world over-run by creatures out of our most ancient nightmares and darkest legends, with humanity fighting for survival, not only against these monsters, but some of his or her fellow men and women. How did Earth become so desolate and nightmarish? Learning this is part of the fun in reading any opening novel in a multi-volume saga, and most importantly, part of the fun of this book.

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The novel works very cinematically, or rather episodically, as if the this book will hit screens one day, as each chapter begins with a paragraph or two of background introduction. This gives an epic feel to the novel and allows the reader to more than simply read the novel, it allows the reader to experience the novel and this dark future Earth. Each chapter is paced very well, with the proper amount of action and characterization to keep the story moving, and more importantly, to keep the pages turning. Perhaps the only fault is a recurring sense of predictability.

Spirit's End by Rachel Aaron & Poison by Sarah Pinborough at the SFFWorld Review Blog

As I mentioned yesterday and last week Mark and I are now posting our new book reviews at the SFFWorld Review Blog.

With that, Mark posted one review over the weekend and mine just went live today.

I’ve enjoyed the previous four novels (two books one of which is an Awesome Omnibus) and put this one off for a bit because I didn’t want the series to come to end. Here’s the link to my review of Rachel Aaron’s Spirit’s End

For a novel that is set in a world that seems a bit sprawling and sizeable, Aaron manages to make Spirit’s End a very confining and claustrophobic novel. This is embodied by how Eli feels about his relationship with the Shepherdess. She loves him, adores him, but it is a suffocating love. Benehime sees Eli as a thing and barely a person. The closest approximation to a person she can see him as is a young child whose center of the universe is Benehime herself. This objectifying of the male is a neat switch on the all-too often idea of men objectifying women. Eli is revolted by Benehime and her cloying love, or rather, obsession about keeping him by her side. In a sense, I liken the relationship to some of the serial killers depicted on Criminal Minds (a popular American drama featuring an FBI unit who profiles and hunts serial killers, just don't go to the TVTropes page for it).

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While the novel (and series itself) focuses primarily on Eli, Rachel Aaron has not forgotten her lost king Josef and his demoness companion Nico or the feisty and strong-willed Miranda who at beginning of the novel is appointed the Rector (Head) of the Spirit Court. Josef continues to rule by the most threadbare minimum and his arch enemy, the Lord of Storms’s pursuit of Nico does not abate. The fate of the world, Eli’s relationship with Benehime, and the heart of who Nico is come together as the novel rolls along to its conclusion.

Mark reviews Poison by Sarah Pinborough, which is a modern twist/take on fairy tales:

Let’s make it clear, though. Poison is definitely adult in tone. As a result, It’s sexy, deliciously dark and, in places, rather bitter in taste. Sometimes reading about people’s darker feelings and thoughts highlights aspects of ourselves that might be better left untouched. What Sarah has done is take many of the parts of the old stories you may remember, but then given them more adult motivations and backgrounds to create a tale like the original adult Grimm’s Tales but rewritten for a contemporary audience. I enjoyed it a lot, reading it in just about one sitting.

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It’s dark, but fun. I enjoyed spotting all the links to other fairy tales. Disney, this definitely isn’t.

Dreamy and Grouchy, the two dwarves here, are stolid and loyal, and there is a fair amount of sympathy for their tough existence. Lilith is suitably scheming, not afraid to use sex as a weapon, but also given a sensible rationale for her actions. Snow White is not always the innocent young maiden of the traditional tales.

Books in the Mail (W/E 2013-04-20)

Mark Yon and I have launched the SFFWorld blog where our future reviews will be appearing. Have a hop over there, read our little ‘mission statement’ and be sure to check there a couple of times per week for new reviews or reviews pulled from the archive.

The Darwin Elevator (The Dire Earth Cycle #1) by Jason Hough (Del Rey Mass Market Paperback 07/30/2013) – Warrington’s fairy-tale trilogy comes to a close with this volume.

Jason M. Hough’s pulse-pounding debut combines the drama, swagger, and vivid characters of Joss Whedon’s Firefly with the talent of sci-fi author John Scalzi.

In the mid-23rd century, Darwin, Australia, stands as the last human city on Earth. The world has succumbed to an alien plague, with most of the population transformed into mindless, savage creatures. The planet’s refugees flock to Darwin, where a space elevator—created by the architects of this apocalypse, the Builders—emits a plague-suppressing aura.

Skyler Luiken has a rare immunity to the plague. Backed by an international crew of fellow “immunes,” he leads missions into the dangerous wasteland beyond the aura’s edge to find the resources Darwin needs to stave off collapse. But when the Elevator starts to malfunction, Skyler is tapped—along with the brilliant scientist, Dr. Tania Sharma—to solve the mystery of the failing alien technology and save the ragged remnants of humanity.

Advance praise for The Darwin Elevator

“A brilliant debut, full of compelling characters and thick with tension.”—Kevin Hearne, New York Times bestselling author of The Iron Druid Chronicles

“Claustrophobic, intense, and satisfying . . . I couldn’t put this book down.”—Hugh Howey, New York Times bestselling author of Wool

“This book plugs straight into the fight-or-flight part of your brain.”—Ted Kosmatka, author of The Games

Grail of the Summer Stars (An Aetherial Tale #3) by Freda Warrington (Tor Hardcover 04/23/2013) – Warrington’s fairy-tale trilogy comes to a close with this volume.

The climactic concluding novel in the spellbinding magical contemporary fantasy Aetherial Tales trilogy

A painting, depicting haunting scenes of a ruined palace and a scarlet-haired goddess in front of a fiery city, arrives unheralded in an art gallery with a cryptic note saying, “The world needs to see this.” The painting begins to change the lives of the woman who is the gallery's curator and that of an ancient man of the fey Aetherial folk who has mysteriously risen from the depths of the ocean. Neither human nor fairy knows how they are connected, but when the painting is stolen, both are compelled to discover the meaning behind the painting and the key it holds to their future.

In Grail of the Summer Stars, a haunting, powerful tale of two worlds and those caught between, Freda Warrington weaves an exciting story of suspense, adventure and danger that fulfills the promise of the Aetherial Tales as only she can.