Ahmed and Cobley Reviewed at SFFWorld

A couple of days later than usual, but we’ve got another debut for Mark’s review and my review is (as it was for last week) the second installment of a trilogy. Our reactions from last week (Mark thumbs down and me big thumbs up) are a bit reversed, though my thumbs aren’t quite as drastically down as Mark’s thumbs.

Mark’s review concerns the Saladin Ahmed’s debut novel Throne of the Crescent Moon, which recently appeared in the UK after appearing in the US earlier in the year (and leaving me very impressed):

Crescent Moon taps into an area of Fantasy that seems to have fallen out of favour in recent years. With the genre’s concentration on Western pseudo-Medieval type tales, the ancient Arabian Nights type tales, based less on European culture, is ripe for revisiting.

There’s certainly enough here. We have Kingdoms, rebellion, canny thieves and honourable heroes, combined with mystical supernatural elements. It reminded me of those Arabian stories from Weird Tales in the 1930’s, but with a contemporary re-imagining.
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In talks of gods and religion, ancient evils and older spells, Saladin has tapped into the well-stone of good old-fashioned storytelling in an old established setting of ancient Arabia. This is Arabian Nights meets Clark Ashton Smith but with less purple prose and more adventurous actions.

I enjoyed The Orphaned Worlds the second novel of Michael Cobley’s Humanity’s Fire trilogy, but not quite as much as the first book:

With the universe a-flutter about the discoveries on Darien of potential ancient races and the reuniting of two of humanity’s lost colonies, Cobley paints his story on a very wide canvas and delves further into the past of Darien and the ancient races who may or may not still have their fingers in affairs. While Seeds of Earth focused primarily on the planet Darien and the inhabitants from the seed ship Hyperion and a bit of a focus on the planet of Pyre, populated by of the seed ship Tenebrosa, as well as the final seed ship Forrestal on the planet Tygra.
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One of the smaller plot strands, at least thus far, is that of Robert Horst, an ambassador from Earth and the artificial intelligence that has taken the form of his daughter. Horst is a tragic and sympathetic character at times, at others desperate to change the past. These sequences show something larger at play than any of the characters, especially Robert himself, could imagine. What I also found intriguing was how Robert’s ‘daughter’ aged as quickly as she did, not remaining at a static age as one would expect a simulated intelligence based on one’s memories to be. Here, I thought, Cobley’s playing with the A.I. trope of SF handled very well and differently than I’d previously seen.

Books in the Mail (W/E 2012-12-08)

Only a few books this week, and two of them from the same author in the same series...


The Orphaned Worlds (Book Two of Humanity’s Fire) by Michael Cobley (Orbit Mass Market Paperback 10/30/2012) – I read the first in this trilogy a couple of months ago and thoroughly enjoyed it so I’m looking forward to where Cobley takes the series. This here’s book two with more great Steve Stone cover art.

The fight is on. So let the battle begin.

Darien is no longer a lost outpost of humanity, but the prize in an intergalactic struggle. Hegemony forces control the planet, while Earth merely observes, rendered impotent by galactic politics. Yet Earth's ambassador to Darien will become a player in a greater conflict as there is more at stake than a turf war on a newly discovered world.

An ancient temple hides access to a hyperspace prison, housing the greatest threat sentient life has never known. Millennia ago, malignant intelligences were caged there following an apocalyptic struggle, and their servants work on their release. Now a new war is coming.



The Ascendant Stars (Book Three of Humanity’s Fire) by Michael Cobley (Orbit Mass Market Paperback 11/20/2012) – I read the first in this trilogy a couple of months ago and thoroughly enjoyed it so I’m looking forward to where Cobley takes the series. This here’s book three with more great Steve Stone cover art.

War erupts in the depths of space...


Battle-ready factions converge above Darien, all with the same objective: to control this newly discovered planet and access the powerful weapons at its heart. Despotic Hegemony forces dominate much of known space and they want this world too, but Darien's inhabitants are determined to fight for their future.

However, key players in this conflict aren't fully in control. Hostile AIs have infiltrated key minds and have an agenda, requiring nothing less than the destruction or subversion of all organic life. And they are near to unleashing their cohorts, a host of twisted machine intelligences caged beneath Darien. Fighting to contain them are Darien's hidden guardians, and their ancient ally the Construct, on a millennia-long mission to protect sentient species. As the war reaches its peak, the AI army is roaring to the surface, to freedom and an orgy of destruction.


Darien is first in line in a machine vs. human war -- for life or the sterile dusts of space.

Called to Darkness (A Pathfinder Tales novel) by Robin Laws (Paizo Mass Market Paperback 01/13/2013) – These Pathfinder novels have been coming out regularly and seem to capture the world fairly well. Byers has penned quite a few Forgotten Realms novels so he’s got the chops to handle a setting like Pathfinder.

Kagur is a warrior of the Blacklions, fierce and fearless hunters in the savage Realm of the Mammoth Lords. When her clan is slaughtered by a frost giant she considered her adopted brother, honor demands that she, the last surviving Blacklion, track down her old ally and take the tribe’s revenge. This is no normal betrayal, however, for the murderous giant has followed the whispers of a dark god down into the depths of the earth, into a primeval cavern forgotten by time. There, he will unleash forces capable of wiping all humans from the region—unless Kagur can stop him first.

From acclaimed author Richard Lee Byers comes a tale of bloody revenge and subterranean wonder, set in the award-winning world of the Pathfinder Roleplaying Game.

Abercrombie, Cobley & Aaronovitch Reviewed at SFFWorld

Nila joins the crew (Mark and me) again this week for three reviews. Thanks to Hurricane Sandy, I’ve no power and had to wait until I was able to get somewhere with power to post these reviews. Mark looks at one of the top fantasy releases of the year, I review a solid, exactly-what-Space-Opera-should-be Space Opera and Nila continues her back-and-forth jaunt with Peter Grant. …


Members of the SFFWorld Forums (as well as readers of fantasy in general) tend to rate Joe Abercrombie very highly, with each new book being one of the most anticipated in the fantasy genre in the year of its initial publication. Mark was the first of us to review Red Country is a great success:

If you’ve read Joe before, there’s a lot here you’ll like. Red Country is as dark, as cynical, as violent and as grimly-humorous as we have come to expect. The characters are as un-stereotypical as ever. The ‘heroes’ are not your clean-cut type, your ‘villains’ are at times worthy of your sympathy, even when they are quite horrendous elsewhere. For example, Shy is that Abercrombean archetype of ‘feisty female’, a damaged person with a troubled past, a murderer and a thief, but perhaps younger and without the total cynicism of Monzcarro Murcatto (of Best Served Cold). If nothing else, Red Country is the tale of her rite of passage.
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Interestingly, this is a shorter novel than most of the Abercrombie canon. (The Heroes is about 50 pages longer, at a quick glance.) This is to the book’s benefit. Red Country reads quickly and well, and, although it dips a little in the middle, is tighter and more focused than many of the previous novels. Here, rather like The Heroes, the events written are relatively small scale – important to those involved, but unlike The First Law books, not exactly world-changing. Which is perhaps Joe’s point, in the same way that The Heroes was one small battle in a bigger picture. Violence is violence, regardless of scale. Red Country should quell those complaints about ‘bloated fantasy novels’ often leveled at genre writers.

Sometimes you are hoping for a specific kind of story when you open a book, in this case, I was hoping for an exciting galaxy-spanning Space Opera. With Seeds of Earth the first installment of Michael Cobley’s Humanity’s Fire, I was very pleased:

What makes Seeds of Earth a novel full of that grand sense of wonder, in part, is the many non-human races who comprise the galaxy. Humans (and the Swarm) are far from the only sentient beings in the galaxy. On Darien, humanity has befriended the Uvovo, a race with mystical, symbiotic ties to their world. Our point characters with the Uvovo are Greg, the scientist who’s been studying the race and its history and Chel, his Uvovo Scholar friend and advisor. The two become friends and confidants before, during and after Chel undergoes a Uvovo ritualistic transformative ceremony called husking (which bears some similarities to the transformative race of the Piggies (aka Pequeninos) in Orson Scott Card’s Speaker for the Dead).
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Seeds of the Earth is a vast-canvas galactic space opera that exemplifies the qualities readers so enjoy in this space opera renaissance – multi-planetary society, dependence on artificial intelligence, alien horde as the enemy, mystical/mysterious alien allies, colonization of humanity, and more importantly he uses these familiar ingredients in a way that is fresh. Cobley packs a lot of ideas and elements into the novel which flows fairly organically. For example, the artificial intelligence utilized by Earth humans is considered the Dreamless by he spirit of the planet Darien.

Working backwards through the Peter Grant series by Ben Aaronovitch, Nila reviews Moon Over Soho:

Much like in Rivers of London, Peter Grant gets caught up in the magical underworld of London all over again in Moon Over Soho. We are introduced to a new nefarious wizard that I predict we’ll see more of in the third book, we encounter sexy (and almost sparkly) vampires, and the river gods make a token appearance, as does Peter’s old partner, Leslie – the one with a busted face. The fledgling wizard/constable also has to deal with chimera – the unholy mix of human and animals – sex slaves. Oh, yeah, and there’s something biting off men’s penises.

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With that said, Moon Over Soho delivers in magical punch what it doesn’t in the series’ recurring characters. We get to meet shadowy figures in a sinister plot, and a new adversary that will keep Peter on his toes. The relationship between he and Leslie is evolving, and I’m anxious to see where Leslie does with her time off to heal. All in all, a lot of new story questions that will keep you coming back for more..