Book Review: Son of the Poison Rose by Jonathan Maberry

Title: Son of the Poison Rose

Author: Jonathan Maberry

Publisher: St. Martin’s Press

Page Count: 687 Pages (including appendix/glossary)

Publication Date/Year: January 2023

Genre: Epic Fantasy / Epic Horror / Grimdark

I was a big fan of Jonathan Maberry’s first foray into Epic Fantasy last year, Kagen the Damned; which was one of my favorite fantasy novels I read in 2022, so I was looking forward to diving into Son of the Poison Rose, the second installment of the Epic Horror-Fantasy.

I was not disappointed.

Son of the Poison Rose picks up almost immediately after the events of Kagen the Damned. Kagen is on the run, mentally, physically, and emotionally scarred as a result of the events of the first novel. He’s got a pair of trusted companions, Filia and Tuke, at the start of the novel with whom he is attempting to take down the Witch King who has conquered the Silver Kingdom, Kagen’s hope.

The first book is required reading before jumping into Son of the Poison Rose and there may be spoilers below.

Kagen is a great study in dealing with dread and post-traumatic stress … he witnessed his parents killed, his kingdom conquered, felt his gods abandon him, and learned the identity of the Witch King. He blames himself for many things that have befallen the world. A good chunk of the early narrative focused on Kagen’s self-doubt, fears, and not-so-positive coping mechanisms. He “recovers” and gains more focus. He comes to realize he was drugged so he couldn’t fulfill his duties of protecting the youngest children and heirs to the throne and also learns they were not actually killed.

I appreciated that Maberry devoted a significant amount of the narrative to the Witch King as he tries to cement his rule. That is proving quite difficult for the man once known as Herepath since his coronation was interrupted, thus throwing into question how powerful he truly is. His “children,” the aforementioned heirs of the empire twins Alleyn and Desalyn (whom the Witch King renamed Gavran and Foscor respectively, and has passed off as his own), are demonstrating a strength that is making it difficult for Herepath the Witch King to keep under his spell. Plus Herepath is obsessed with finding Kagen.

Maberry sets these two personalities at odds with each other along with the supporting characters for each. I’ve mentioned Tuke and Filia for Kagen already. Herepath has a mysterious, powerful, being with Lovecraftian roots join as advisor – The Prince of Games, who may be Nyarlathotep, but lists off other possible names he’s had in the past including Flagg (yes, Randall Flag, The Walkin Dude) and one very familiar to fans of Maberry’s Joe Ledger novels – Nicodemus. Remember, this book is set in “our world” but about 50,000 years in the future (A conceit I love) and fits in with how Maberry likes to link his stories together. The Prince of Games here comes across far more mischievous than I remember Nicodemus being in the Joe Ledger novels

Maberry also introduces readers to Kagen’s siblings, the twins Jheklan and Faulker , brings back Rissa from the first volume somewhat briefly, Mother Frey (another great character) as well as what I’d call a guest appearance from the vampire sorcerer Lady Maralina.

While Maberry established a fantastic, deep, mythology through smart world-building in The Sword of Kagen, more depth and richness is elaborated upon in Son of the Poison Rose. The Cthulhu/Lovecraftian elements become even more prominent and I loved it. I said about the first volume how well Maberry interwove horror elements into Epic Fantasy framework. That intermingling worked to an even greater degree in Son of the Poison Rose because he was enhancing and building upon a strong foundation with intriguing details.

The only criticism I can level at the novel is that there was a bit of a repetitive nature to some of Kagen’s self-doubt. It felt like he was going through the same conversations with himself more than a couple of times in maybe the first third of the novel. Granted, depression and self-doubt drive that kind of internal dialogue in reality. In the novel, it slowed the pacing just a bit for me. Thankfully, that is just a minor criticism because I was glued to the pages and loved how Maberry structured his chapters.

Son of the Poison Rose is a wonderful follow-up that sets things in motion for what I hope will be a thrilling conclusion in Dragons in Winter.

This series provides for a dark and intriguing take on the Epic Fantasy genre and will appeal to horror fans as well. Great stuff and Highly Recommended.

VanerderMeers Interviewed and Emily Gee Reviewed at SFFWorld,

I’ll lead all my faithful readers into the weekend with excerpts/links to a couple of goodies recently posted to SFFWorld.

Mark interviewed Ann & Jeff VanderMeer, editors what could be considered a landmark tome: The Weird currently available in the UK via Corvus and available next year via Tor (YAY!), as well as the companion Web site: Weird Fiction Review.




They are sort of the power couple of Fantastic/Weird Literature as of late, Ann having edited Weird Tales, Jeff writing some terrifically imaginative novels (City of Saints and Madmen, Veniss Underground, and Shriek), and the two of them collaborating the Thackery T. Lambshead books.

Here's an excerpt of the interview:

Of the many tales you include, which are your personal favourites and why?

Ann: It’s difficult to pick favourites; in some ways I wish this book could have been twice the size! One story that I keep coming back to is Jerome Bixby’s “It’s A Good Life.” This story was made into one of my all-time favourite Twilight Zone episodes, which was a major influence on my early leanings towards weird fiction. I read this story for the first time in preparation for this anthology and was totally blown away. Keep in mind I know this story backwards and forwards – no surprises here, however, reading the story still gave me the major creeps. And just talking about it now is bringing that creepy feeling straight back to me.

Jeff: That’s so tough...Just being able to include work by Julio Cortazar, Angela Carter, Ben Okri, Shirley Jackson, and Jorge Luis Borges, for example—those were all my heroes growing up and huge influences on me as a writer. So being able to reprint their stories is almost overwhelming. In terms of individual stories, I love some of the more out there stuff like Eric Basso’s “The Beak Doctor”. But I am also a huge fan of Aickman, and I still find his “The Hospice” one of the strangest and at times absurdly funny tales of the supernatural ever written. The Michel Bernanos is one of the greatest weird tales ever written. I also loved that George R.R. Martin’s “Sandkings” held up to a re-reading. Then there are the stories you don’t appreciate until you revisit them. Like Kelly Link’s “The Specialist’s Hat,” which I love now. Murakami’s “The Ice Man” is a great story. Steve Duffy’s “The Lion’s Den.” I could go on and on. It’s so difficult to choose.

Kathryn (aka Loewryn) reviewed the first book in new series (The Cursed Kingdoms Trilogy) by Emily Gee: The Sentinal Mage.

The story is told to us through a moderate number of characters. The larger chapters revolve around Innis, Prince Harkeld and Justen, the prince's armsman, who is one of the shapeshifting mages in disguise. Harkeld's sister, Princess Brigitta or Britta as she is known by those close to her, is used to tell us a little about the politics of the land whilst Jaumé, a small boy, is our link to those directly affected by the spreading curse. These four main points of view compliment each other well and give us some insight into the world and its people. Jaumé and Brigitta elicit a lot of sympathy from the reader, the former for losing his family in a bloodbath at the age of eight, and the latter for being forced into a marriage with an overweight, sweaty man who rapes her multiple times a day. Together, these characters give us the means to view this world and the desperation of its people, but also the sheer amount of devastation that will fall upon the Seven Kingdoms if the curse is not broken.

…

Gee deals with a lot of themes in this book, and she does it well. Most prominent of all is the shapeshifting magic used by Innis, and how it affects her. Mages are forbidden from taking the form of other humans, but they also run the risk of madness if they hold forms for too long. I also thought that the way mages are seen was well done, as they were discriminated against in ways that are eerily reminiscent of techniques used in our past to demonise those perceived as different. There's use of derogatory terms such as witches, but also of stories and rumours that serve to represent the mages as subhuman, an example being the rumour that they engage in physical relations with animals. The third theme Gee explores is that of forced or arranged marriages, and how they affect those directly involved, but also those around the marriage.

All Hallows Read / Hallowe'en Reading 2011

All Hallows Read is in full effect so I’ll throw out some recommendations for 2011 (and all future Hallowe’ens):

What says Hallowe’en like a giant tentacle cosmic horror lurking deep beneath the sea? I am, of course, talking about Cthulhu and two recently published books fit the bill perfectly. Let’s start with Good ol’ H.P. Lovecraft himself.


The Call of Cthulhu and Other Weird Stories by H.P. Lovecraft recently published in a beautiful classy edition from Penguin Classics. This one has some of the master’s greatest, including the titular Call of Cthulhu and includes introductions and edits by S.T. Joshi, the authority on all things Lovecraft. I reread the story and the creeping, lurking sense of horror is present throughout the story. Also included is Dagon, one of Lovecraft’s earliest tales, and a short one tying into the Cthulhu mythos. Also included, among others, are the following: The Rats in the Walls, The Colour out of Space, The Picture in the House, and perhaps one of my favorites, The Shadow Over Innsmouth with its links to Cthulhu and town of fish folk. The thing with Lovecraft’s stories is that many collections overlap with each other. For example, this volume has a fair amount of overlap with the excellent Science Fiction Book Club collection edited by Andrew Wheeler, Black Seas of Infinity. One of the two major tales that don’t overlap is At the Mountains of Madness, one of Lovecraft’s longer tales which appears in Wheeler’s volume. The major tale in the Penguin volume not in Wheeler’s selection is Herbert West—Reanimator, which is good, but because it appeared in installments rather than one single installment, tends to be a bit repetitive at the beginning of each passage. I can’t recommend either volume highly enough, but since the Penguin edition just published and is more widely available, that might be the easier book to buy. Really though, you can’t go wrong with either.


Another timely volume is The Book of Cthulhu edited by Ross E. Lockhart (Nightshade Books I’ve been dipping my toes into this one over the course of the month and I am very impressed. The book itself is quite attractive and follows the impressive line of themed anthologies at NightShade edited by John Joseph Adams. Lockhart cast his net very wide in bringing in stories ranging in source from Cthulhu themed anthologies from the 1970s to stories appearing in this anthology for the first time. Highlights include the moody and creepy Caitlin R. Kiernan’s Andromeda among the Stones where curiosity becomes an obsession to a fault and a good choice for an opening story. Dreams and the uncertainty of the Cosmos play a strong role in Ramsey Campbell’s The Tugging. I liked A Colder War Charles Stross quite a bit, too. Plays with communism, the Cold War (obviously) and links to ancient cults and religions. Kage Baker’s Calamari Curls plays with perhaps, voodoo connections to the Cthulhu mythos. All told, I haven’t read the whole anthology yet, but I like much of what I’ve read. I’m looking forward to getting through Tim Pratt’s story, based on how much I’ve enjoyed his Marla Mason stories which may (or may not) have ties to a certain cult.

I’ll finish out today’s post with a few links to past books I’ve highlighted at Hallowe’en and a short review of a what I think is a taut, solid ghost story.

Dark Harvest by Norman Partridge
Isis by Douglas Clegg


No Doors, No Windows by Joe Schreiber
Small town secrets, an eerie house, and an unfinished manuscript form some of the support structures in Joe Schreiber’s haunted house novel No Doors, No Windows. It is also a story about a writer, Scott Mast who returns to his hometown in New Hampshire to attend his father’s funeral. Scott initially stays with his brother Owen, who is the lone parent of Henry, Scott’s nephew. Owen never recovered fully from the death of his and Scott’s mother a decade ago and has succumbed to alcoholism. This is only the tip of the iceberg’s darkness, because Scott, a writer himself, finds a manuscript revealing dark deeds, on which his father was working.

Scott returns to skeletons in the closet, people whom he left behind when he moved to Seattle and gave little consideration in the intervening years. These include an old girlfriend, a town-wide tragedy, the town’s most popular girl, and Round House – a dark house not far from where Scott’s father crashed his car and died.

On one level, No Doors, No Windows is very much a haunted house story. Scott soon finds himself spending a great deal of time in Round House trying to finish the creepy manuscript on which his father was working. He soon wonders if the dark events relayed in the unfinished manuscript actually occurred in Round House.

Some of the conventions in the novel are familiar – the darkness surrounding the ‘present’ of the novel is informed by events generations removed from the protagonist and a haunted writer struggling with his craft have been done on more than one occasion by Stephen King and recently to great effect by Caitlín R. Kiernan in The Red Tree. However, Schreiber terrifically takes the familiar elements and molds them into his own satisfying vision of darkness.

Schreiber’s style might be considered sparse and natural. Characters who have known each other don’t immediately unfold their histories when they come together; there are no paragraphs and/or pages of exposition. Characters simply act as themselves and speak without regard for the reader’s foreknowledge of these characters. In this respect, Schreiber paints a very realistic picture of how these people would interact.

No Doors, No Windows is a taut and emotional ghost story, the root of whose hauntings are revealed carefully and deftly. Schreiber has written a precise, solid and engaging novel that pulls no punches and is recommended.

Books in the Mail (W/E 2011-10-29)

A few interesting looking odds and ends, including two beautiful horror classics from Penguin. For one reason or another, just about all of the books that arrived this week interest me in one way or the other.

Revan (The Old Republic 3) by Drew Karpyshyn (Del Rey/Star Wars Books Hardcover 11/15/2011) –Considering Karpyshyn had a big hand in crafting the early early days of Star Wars in the Knights of the Old Republic games, I’m a bit surprised it has taken until the third book in the series for him to pen a novel-length story.

There’s something out there: a juggernaut of evil bearing down to crush the Republic—unless one lone Jedi, shunned and reviled, can stop it.

Revan: hero, traitor, conqueror, villain, savior. A Jedi who left Coruscant to defeat Mandalorians—and returned a disciple of the dark side, bent on destroying the Republic. The Jedi Council gave Revan his life back, but the price of redemption was high. His memories have been erased. All that’s left are nightmares—and deep, abiding fear.

What exactly happened beyond the Outer Rim? Revan can’t quite remember, yet can’t entirely forget. Somehow he stumbled across a terrible secret that threatens the very existence of the Republic. With no idea what it is, or how to stop it, Revan may very well fail, for he’s never faced a more powerful and diabolic enemy. But only death can stop him from trying.


Fenrir by M.D. Lachlan (PyrTrade Paperback 10/25/2011) – Mark had good things to say about Wolfsangel when it first published.

The Vikings are laying siege to Paris. They want the Count's sister, in return they will spare the rest of the city. As houses on the banks of the Seine burn, a debate rages in the Cathedral on the walled island of the city proper. Can the Count really have ambitions to be Emperor of the Franks if he doesn't do everything he can to save his people? Can he call himself a man if he doesn t do everything he can to save his sister? His conscience demands one thing, the state demands another. The Count and the church are relying on the living saint, the blind and crippled Jehan of St. Germain, to enlist the aid of God and resolve the situation for them. But the Vikings have their own gods, and outside their camp, a terrifying brother and sister, priests of Odin, have their own agenda. An agenda of darkness and madness. And in the shadows a wolfman lurks. M. D. Lachlan's stunning epic of mad Gods, Vikings, and the myth of Fenrir, the wolf destined to kill Odin at Ragnarok, is a compelling mix of bloody horror, unlikely heroism, dangerous religion, and breathtaking action.


The Call of Cthulhu and Other Weird Stories by H.P. Lovecraft (Penguin Classics Trade Paperback 10/27/2011) – This is a beautiful trade paperback edition with French flaps containing some of Lovecraft’s best known stories, including the titular tale which is his most famous. The book is edited by S.T. Joshi, the authority on Lovecraft.

A definitive collection of stories from the unrivaled master of twentieth-century horror in a Penguin Classics Deluxe edition with cover art by Travis Louie.

"I think it is beyond doubt that H. P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale." -Stephen King

Frequently imitated and widely influential, Howard Philips Lovecraft reinvented the horror genre in the 1920s, discarding ghosts and witches and instead envisioning mankind as a tiny outpost of dwindling sanity in a chaotic and malevolent universe. S. T. Joshi, Lovecraft's preeminent interpreter, presents a selection of the master's fiction, from the early tales of nightmares and madness such as "The Outsider" to the overpowering cosmic terror of "The Call of Cthulhu." More than just a collection of terrifying tales, this volume reveals the development of Lovecraft's mesmerizing narrative style and establishes him as a canonical- and visionary-American writer.


The White People and Other Weird Stories by Arthur Machen (Penguin Classics Trade Paperback 10/27/2011) – Machen is another purveyor of weird horror tales. This one, like the above-mentioned Lovecraft volume, is edited S.T. Joshi and contains an intro by Guillermo Del Toro.

"Of living creators of cosmic fear raised to its most artistic pitch, few if any can hope to equal the versatile Arthur Machen." -H.P. Lovecraft

Actor, journalist , devotee of Celtic Christianity and the Holy Grail legend, Welshman Arthur Machen is considered one of the fathers of weird fiction, a master of mayhem whose work has drawn comparisons to H. P. Lovecraft and Edgar Allan Poe. Readers will find the perfect introduction to his style in this new collection. With the title story, an exercise in the bizarre that leaves the reader disoriented virtually from the first page, Machen turns even fundamental truths upside down. "There have been those who have sounded the very depths of sin," explains the character Ambrose, "who all their lives have never done an 'ill deed.'"


Crucible of Gold (Temeraire #8) by Naomi Novik (Del Rey, Hardcover 03/06/2012) – This is the seventh book of in Novik’s popular Dragons-in-Napoleonic-War series. I read the first three when they first hit shelves a few years ago (His Majesty's Dragon, Throne of Jade, Black Powder War) and enjoyed them and Novik’s been trucking along swimmingly since.

Naomi Novik’s beloved series returns, with Capt. Will Laurence and his fighting dragon Temeraire once again taking to the air against the broadsides of Napoleon’s forces and the friendly—and sometimes not-so-friendly—fire of British soldiers and politicians who continue to suspect them of divided loyalties, if not outright treason.

For Laurence and Temeraire, put out to pasture in Australia, it seems their part in the war has come to an end just when they are needed most. Newly allied with the powerful African empire of the Tswana, the French have occupied Spain and brought revolution and bloodshed to Brazil, threatening Britain’s last desperate hope to defeat Napoleon.

So the British government dispatches Arthur Hammond from China to enlist Laurence and Temeraire to negotiate a peace with the angry Tswana, who have besieged the Portuguese royal family in Rio—and as bait, Hammond bears an offer to reinstate Laurence to his former rank and seniority as a captain in the Aerial Corps. Temeraire is delighted by this sudden reversal of fortune, but Laurence is by no means sanguine, knowing from experience that personal honor and duty to one’s country do not always run on parallel tracks.

Laurence and Temeraire—joined by the egotistical fire-breather Iskierka and the still-growing Kulingile, who has already surpassed Temeraire in size—embark for Brazil, only to meet with a string of unmitigated disasters that leave the dragons and their human friends forced to make an unexpected landing in the hostile territory of the Inca empire, where they face new unanticipated dangers.

Now with the success of the mission balanced on a razor’s edge, and failure looking more likely by the minute, the unexpected arrival of an old enemy will tip the scales toward ruin. Yet even in the midst of disaster, opportunity may lurk—for one bold enough to grasp it.


Death's Heretic (A Pathfinder Tales novel) by James L. Sutter (Paizo Mass Market Paperback 11/29/2011) – Pathfinder is a relatively new RPG in the vein of Dungeons and Dragons, I’ve got the core rulebook and it is a really nice piece of work, Sutter is one of the main architects behind Pathfinder. Though he’s published a fair amount of short fiction, this is his first novel length tale. They’ve strongly entered the fray of the gaming tie-in fiction with some interesting names, including tie-in veteran Elaine Cunningham, as well as authors like Howard Andrew Jones and Tim Pratt.

Nobody cheats death. A warrior haunted by his past, Salim Ghadafar serves as a problem-solver for a church he hates, bound by the goddess of death to hunt down those who would rob her of her due. Such is the case in the desert nation of Thuvia, where a powerful merchant on the verge of achieving eternal youth via a magical elixir is mysteriously murdered, his soul kidnapped somewhere along its path to the afterlife. The only clue is a magical ransom note, offering to trade the merchant's successful resurrection for his dose of the fabled potion. But who would have the power to steal a soul from the boneyard of Death herself? Enter Salim, whose keen mind and contacts throughout the multiverse should make solving this mystery a cinch. There's only one problem: The investigation is being financed by Neila Anvanory, the dead merchant''s stubborn and aristocratic daughter. And she wants to go with him. Along with his uninvited passenger, Salim must unravel a web of intrigue that will lead them far from the blistering sands of Thuvia on a grand tour of the Outer Planes, where devils and angels rub shoulders with fey lords and mechanical men, and nothing is as it seems...