Showing posts with label Grady Hendrix. Show all posts
Showing posts with label Grady Hendrix. Show all posts

Monday, January 05, 2026

2025 Reading Year in Review

Once again, the post that truly keeps the Blog o’ Stuff alive, the “Highly Anticipated” annual installment of “What Did Rob Enjoy Reading the Most Last Year?!??!” That’s right folks, for the fourth in a row and 15th year overall, here are the books I enjoyed reading most the previous year! As I’ve done every year, here are the previous years I’ve put up a reading year in review, 2024, 2023, 2022, 2021, 2018, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006.

As I've done every year for the past decade and a half, I've contributed to SFFWorld's Favorite of the Year lists: Fantasy, Horror, Science Fiction, and Film/TV. We focus only on 2025/current year releases on our there are a lot of good books out there from previous years I haven’t read.

Horror, once again, is the genre that takes up the most space in the pie chart of “genres Rob read” in 2025. Fantasy is always going to be in my heart and is a fairly close second place, but Science Fiction keeps sliding down, unless you count some of the novels that tow the line between Science Fiction and Horror. The annual statistical rundown of the nearly 97 books I read in 2025:
  • 56 2025/current year releases 
  • 1 2026 release 
  • 41 reviews posted to SFFWorld (including the Halloween Countdown Reviews)
  • 56 can be considered Horror
  • 44 can be considered Fantasy
  • 13 can be considered Science Fiction
  • 21 books by authors new to me 
  • 49 Books by women
  • 10 total debut
  • 17 audiobooks
  • 1 Non-Fiction
So, without further adieu, below are the books I enjoyed reading the most in 2025. It was really tough to rank this group of books because there’s a very high level of quality and enjoyment across them all. Unlike our annual tally at SFFWorld, I’m not going to break these out by genre since a few of the novels can fit into more than one genre/category. I’ll start with my favorite overall novel, then go alphabetically by author’s last name. Oddly, the earliest last name in the alphabet on this list is “F.” Maybe I’ll note something additional about a few titles, too.

King Sorrow by Joe Hill
(Takes the top spot overall, it perfectly marries Horror and Fantasy)


Hill tackles a lot in this story and he is more than up to the task he sets for himself. One of the skills I most appreciate in a writer is when they are able to finely balance a story between epic and intimate. King Sorrow balances those elements very powerfully. We meet these characters at a critical time in their lives, young college-aged students (Gwen is a couple of years younger). For many people who attended college, decisions made at that inflection point of their lives – falling in love, deciding on a major which can direct a career path, friendships built – often to have lifelong affects. Many of my friends (myself included) met their wives when in college, many of those same friends or friends from that circle of friends, are in a job nearly 30 years later because of the path they started in college. Some of the decisions were great ones, others… well, those decisions especially when people aren’t fully mature and in desperate straits, can have negative impacts. Summoning a demon… or in this case, a dragon to help in a bad situation would qualify as life-changing, for certain. None of our heroes expected these decisions to be so long-ranging when they spoke the words that bound King Sorrow to them from the Long Dark.

The Raven Scholar by Antonia Hodgson
(My Favorite Fantasy Novel of 2025, Top Debut of 2025)
 

Neema is a wonderful protagonist, richly drawn, empathetic, smart, vulnerable…human. Hodgson gave a point of view character who is thrust into a situation that is far beyond her comfort zone. She has no desires to sit on the throne, or compete in the tournament. Through her, we learn about the history of her nation, the magic of the world, and some secretive elements. ... The world-building is so well-done, it seems like Hodgson put a great deal of care and precision into all of the things readers don’t see on the page so that the events/characters/history readers do experience on the page feel natural and effortless. When you pare it down to the core / high concept, The Raven Scholar could be seen as Hunger Games meets murder mystery, plus courtly intrigue in a fantastical/magical setting. The Raven Scholar is full of tension on many fronts. But I won’t say too much more than that, it is very much one of those novels that works best without knowing too much about the pathways of its plot, discovering some of those revelations were wonderful. However, I feel this is a novel that would benefit quite well from a second reading.

 


This is the second novel I’ve read from Fracassi and it totally hooked me

In The Autumn Springs Retirement Home Massacre, Fracassi gifts readers with a most unique final girl in a most unique setting. The title gives away the setting and it can be surmised that our heroine Rose DuBois (in her 70s) may be older than the typical final girl. She is a delight and a joy to get to know..

This novel is far more than just a “Septuagenarian Slasher.” Case in point – Rose, I soon fell for her as a character, I loved her. A great writer gradually reveals layers of their story and characters and with Rose, Fracassi delivered a master-class in a slow reveal of the character. We knew what we needed to know about her when we knew it about Rose and when we knew more of her backstory it led to a wonderful, powerful reveal of just what an incredibly strong character Rose is. She kept her life history fairly close to the vest with the small circle of friends and acquaintances in Autumn Springs, just as she did with the readers.

 

Revelator by Daryl Gregory
 

I’ve read some stories as well as Gregory’s earlier novel (16 years ago!) The Devil’s Alphabet. Shame on me for not reading any of his work since that book because Revelator is an outstanding cult horror novel, one of the best I’ve ever read maybe. For me the highwater mark for that subset of horror is Todd Keisling’s Devil’s Creek and I’d say Revelator is on that level. Gregory does an incredible job of make place an integral character in the story, he crafts an empathetic, complex protagonist in Stella, but what he does with mounting dread and then a KICK-WHAM reveal is nothing short of amazing. My wife received this as a Christmas gift last year and said I need to read it and damn was she correct! I’ve seen the great Mother Horror singing this book’s praises for quite a while, too. I’m singing those praises, too. I read this in two days at the end of the year and the book screamed at me to include it in my favorite reads of the year, so here we are.


 

Play Nice by Rachel Harrison 

 


Rachel Harrison has been averaging a new novel every year and for me, each novel is an Event and Play Nice just might be her best yet.

I will be completely honest and up front here – on the surface of this book – a book about a social media fashion influencer being haunted – chances are I might pass on reading it. Just not something (a social media influencer as protagonist) that thought I would connect with (says a person who posts regularly on social media talking about books and beer – yes, I can be a hypocrite). However, the fact that Rachel Harrison wrote this book made it a must-read. I’ve come to trust her over the course of the last few years and she absolutely delivered something very special in Play Nice. That something special starts with Clio.

Rachel Harrison has become one of the defining voices of Horror fiction the last half-decade. 


The Everlasting by Alix E. Harrow

    
Alix Harrow tells stories like almost no other writer, we fans of fantasy should be thankful she plies her trade in our genre. Carrying this compelling story is Harrow’s lovely prose, which acts as a comforting blanket that you know took skill and effort to craft. The story is more than just a gender-flipped King Arthur story. Of course those echoes are present, but heroism, love, avarice, addiction to power, and love are part of the story, too. Owen and Una are the hearts of this story and their hearts are connected. But there are two additional characters who form help to flesh out the story: Queen Yvanne from Una’s timeline and the ambitious Chancellor Vivian Rolfe from Owen’s time. 

If it isn’t clear by this point, I loved this novel.


 

Somehow, Grady Hendrix gets better with every novel. Hendrix’s narrative style remains a strong point for his novels, easy-going prose, strong characters, relatable snarky descriptions. He does a lot of character building through the first third of the novel. The girls share their frustrations as well as physical and emotional with their situation. Miss Wellwood is built up as an easy to dislike antagonist, but as he always does, Grady allows empathy for his antagonist to seep in as the story moves through its phases. Supporting Miss Wellwood is the even-more insidious Doctor Vincent. While the emotional nastiness is on full display through that first third, don’t worry, there’s some gruesome nastiness once the witchcraft makes its presence known. Wellwood House reminded me a bit of Reverend Gardner’s Sunlight Home for boys in Stephen King & Peter Straub’s The Talisman.

The timeliness of this novel is hard to ignore. Even though it was initially slated for a mid-2024 publication, the current climate in the United States is … shall we say not very kind to women, women’s bodies, and women’s health.

 
The Will of the Many by James Islington




Confession time: When this book first published in 2023, I saw almost universal praise across the genre landscape of reviewers / book blogs / etc. I read the author’s first novel The Shadow of What Was Lost and didn’t connect with the book as much as I hoped I would. I also saw many, many comparisons to Red Rising by Pierce Brown, a novel that, to put it very mildly, did NOT work for me. Those two things gave me a bias against reading this book. But the more I thought about it, the more I saw about the novel and how my “trusted reviewers/readers in the genre” wrote about this book, I wanted to try it. I am damned glad I did because I was very impressive with this novel, as all those words I put to screen prior to this paragraph attest. For my reading sensibilities, I think a more apt comparison, or “If you like that, then you’ll like this” recommendation that Red Rising would be Kate Elliott’s The Court of Fives.

Veil by Jonathan Janz



Janz is no stranger to stories where people are abducted by strange creatures (Children of the Dark) or apocalyptic fiction (The Raven, Blood Country), these are also common themes of horror. Here in Veil; however, Janz has seemed to level up in his storytelling on multiple fronts and he is an even more assured writer at this point. … Ultimately Janz may have crafted an even more effective alien invasion apocalypse than readers (and film viewers) are accustomed to experiencing. … His character work has always been top tier for me, but the empathy he infuses in Veil is even more potent. Writers often put a great deal of themselves into the characters (it is impossible for them not to do so, I think): John Calhoun is a high school teacher and married father of a son and daughter, Janz is a high school teacher, married and has three kids. Janz is a fan of Stephen King as is our protagonist. I’m not saying this personal infusion is a bad thing at all, in fact, I think the parallels only enhance the story, lend even more emotional weight to the story.


The Buffalo Hunter Hunter by Stephen Graham Jones


Good Stab is an unkillable Indian who had a tussle with a Cat Man that should have killed him. But Good Stab did not die, he woke with a thirst and need for blood and, through his own words, takes many, many lives. The scene of Good Stab’s rebirth as a vampire is visceral, fascinating, and immediately iconic. There are other elements of vampirism Good Stab conveys that feel fresh and unique. The Vampire characteristics SGJ utilized in this world were constructed with careful consideration. These “traits” of SGJ’s vampire play out so well in the story and are just one facet of what makes The Buffalo Hunter Hunter such an incredible work. … There are some novels, they are rare I think, that as you turn the pages, you realize you are reading Something Special. That you’re reading maybe a game-changer of a novel, a Landmark Novel. I began feeling that way maybe one third or so through my reading experience of The Buffalo Hunter Hunter.

The Sundowner’s Dance by Todd Keisling



Keisling layers in the horrific and terrifying elements. I think getting older is a natural human fear, losing faculties, being alone, being taken advantage-of. Those three human fears are very much on display. Sundowner’s Syndrome is a real thin and it seems to make Alzheimer’s Disease tame. While I’m not near the age of Jerry, I’m closer to that age than I’d like to be and I won’t lie – I have thoughts about what my life will be like in 20-25 years. (Just writing that gave me a chill). At one point, The ‘Burbs (Joe Dante’s cult 80s movie featuring Tom Hanks and Bruce Dern) is called out and it feels pretty appropriate, even if the events in The Sundowner’s Dance eventually worms its way into my consciousness as a much more creepy-crawler horror novel.

The Stand: Complete and Uncut by Stephen King (audiobook)



It can be very much worth revisiting the books that shaped you. It is even more rewarding when you aren’t visited by the Suck Fairy and that book is even better than you remember it being. With the anthology The End of the World as We Know It: New Tales of Stephen King's The Stand publishing in 2025, I figured I was far, far overdue for a re-read of the classic post-apocalyptic novel. Listening to Neil McRobert, Nat Cassidy, and Chris Panatier talk about the book on their read through of The Dark Tower and adjacent novels further convinced me and let me tell you some happy crappy, I am sure glad I re-read the book. M-O-O-N that spells glad.

For this re-read (2nd or 3rd, if you count the original uncut) I consumed it via audio book as read/performed by Grover Gardner and it was maybe one of the best audiobook experiences I’ve ever had. I knew I enjoyed the book, why else would I have re-read it multiple times? But the last time I read it was maybe 30 or so years ago just before the amazing TV adaptation by Mick Garris aired. This novel has some of King’s best character work and some of the bets character work of any novel I’ve read. It is a classic and should be given serious consideration as The Great American Novel of the 20th Century. I think in past readings, I may have connected most with Stu, but I think this time around, Nick was my guy. I wasn’t that big of a fan of Larry in past readings, but I found his journey and maturation very, very rewarding. Not going to lie, when Grover read the line, “And that’s how they met Ralph Brentner” I may have teared up. All the old friends were getting together again! I am probably not going to allow three decades pass before reading this one again.



Throughout these novels, Kowal backs her story with solid science – she consults with Astronauts after all. Nothing posited seems far-fetched. As the time of the series gets farther away from the meteor strike that started everything and closer to our current day, some of the “headlines” about current Earth events that preface each chapter resonate with our current world. On one hand, that’s still almost 60 years separating the publication date of the novel and time in which the novel is set. On the other, science (especially as it relates to space travel and habitation) has been forced to advanced at a different pace than our own world, so the political climate of the novel resonating with our world isn’t too big a leap. What keeps these novels going; however, are the characters and Kowal has crafted extremely charming characters in Elma, Nathaniel, Leonard, Nicole, Parker (it was unexpectedly nice to see him return) as well as all the others. There was a scene towards the end the end of the novel that I found very believable: Elma is a problem solver, she’s always trying to make things right. Her role is somewhat reversed and somebody else is leading an initiative and had to put Elma in her place. It was a genuine moment and the kind of interaction I’d expect to see between trusted colleagues and friends.

The Dragon in Winter (Kagen the Damned #3) by Jonathan Maberry



It has been a nice challenge to get through any given year in the recent past without me reading a novel by Jonathan Maberry, he is so incredibly prolific. A standout from him (and overall in my reading journey in 2025) was the finale to his Cthulhu Epic Fantasy saga, set 50,000 years in our future. There were some interesting twists along the way and damn does Maberry know how to bring a series to a satisfying conclusion.

The Demon Awakens (DemonWars, Book 1) by R.A. Salvatore




Sometimes, it is a nice change of pace to go back to a classic, or at least a novel/work people consider classic. I’ll admit to some hesitancy, as a very, very seasoned fantasy reader, to take a look at this 25-year old epic fantasy novel that has garnered varied opinions over the years. … I was swept away by the novel, by Elbryan’s journey with the elves as he became a true Hero. I was pulled into Pony’s (a.k.a. Cat) plight as she relearned who she was. I was taken aback by the change Avelyn made from his initial introduction as devout monk to powerful, almost jovial cleric. I found the centaur Bradwarden to be a refreshing character. The friendship and camaraderie that developed between these characters felt genuine and real. … I am very, very happy I finally dove into this series. I’ve been knee deep in horror the past few years (more than 50% of what I’ve been reading), especially most recently so I was happy to dive into a novel like this, something that hit the familiar notes of epic fantasy I enjoy so much, along with some unexpected nuances, told with a very engaging pace. Had I picked up these books when they were first published when I was first getting into The Wheel of Time, Memory, Sorrow and Thorn by Tad Williams, and The Farseer by Robin Hobb, I suspect I'd hold them in very high regard, at least based on how much I enjoyed The Demon Awakens.

The Gathering by C.J. Tudor (audiobook)




The Gathering is the second novel I read by Tudor and it worked very, very well for my reading sensibilities. Tudor builds tension and suspense very powerfully throughout the narrative. She also elegantly marries crime fiction with horror since this is a vampire novel. I think there may be a sequel in the works, I hope so because I thought Tudor's take on the vampire was intriguing and a foundation for many stories to be told. This was an audiobook consumption and I thought the narrator, Lorelei King delivered a great performance.

Honorable Mentions

Children of Blood and Bone (Legacy of Orïsha #1) by Tomi Adeyemi – An enthralling African-inspired young adult Epic Fantasy. I picked up the first book at NY Comic Con in 2024 and because of how much I enjoyed it, snagged book two at NY Comic Con in 2025. 

The Place Where They Buried Your Heart by Christina Henry was one another awesome novel from Henry, who has been reliable for releasing a stellar horror novel every year for the past few years. This one packs a lot of heart and emotion. 

Alison Gunn’s Nowhere, is her debut novel and a very gripping, powerful folk horror novel. I don’t think I’ve ever been this compelled to continue reading a novel featuring a protagonist I disliked so much. Some terrif, creepy scenes in this novel. 

Chuck Wendig continues his streak of superb horror novels with The Staircase in the Woods, which hit on a lot of great cylinders for me. There’s the young kids being friends vibe like Stand By Me but it certainly takes a turn up the stairs to something dark. I loved this book.







Monday, January 01, 2024

2023 Reading Year in Review

Two years in a row with a Reading Year in Review, crazy right? Well, since I resurrected the blog earlier in the year, I’ve been much more consistent with posting my reading wrap-ups so of course that calls for a year in review, right? As I’ve done every year I've posted a Reading Year in Review, here are the previous years I’ve put up a reading year in review, 2022, 2021, 2018, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006.

As I've done every year for the past decade and a half, I've contributed to SFFWorld's Favorite of the Year lists: Fantasy, Horror, Science Fiction, and Film/TV. For those yearly recaps, Mark Yon and I focused only on 2023 releases. Here I will not limit the list to just 2023/current year releases because there are a lot of good books out there from previous years I haven’t read although most are from 2024. I'm still very actively reviewing for both SFFWorld.

Two years in a row, Horror was the dominant genre for me, with Fantasy a fairly close second. Horror continues to be in a fantastic place within the genre, both in printed form and filmed. The breakdown/full statistics of the 93 books I read in 2023:
  • 41 2023/current year releases
  • 53 can be considered Horror
  • 44 can be considered Fantasy
  • 9 can be considered Science Fiction
  • 47 reviews posted to SFFWorld
    • 28 books by authors new to me 
    • 47 Books by women
    • 13 total debut
    • 18 audiobooks
    • 7 Book reviews posted here at the Blog o' Stuff
    • 4 books I DNF'd
    How did I come up with this list? For years, I've been keeping track of the books I read in an Excel workbook and assign each book a rating between 1 and 10. All the books I’ve called out are books I’ve rated 9 (out of 10) or higher. For the purposes of this post, I've listed the books alphabetically by author last name, outside of the first book in this post which was the book I enjoyed the ost.  If I've reviewed the book, the title will link to the review either here at the blog or over at SFFWorld with an excerpt of that review below the cover image. If I haven't given the book a full review, then I've provided a brief summary/reaction to the book.

    So, without further adieu, below are the books I enjoyed reading the most over the past year.

    How to Sell a Haunted House by Grady Hendrix
    (My Favorite Overall Novel Published in 2023 even though I read it in late 2022)


    Balancing out the creeps is another thing that Hendrix has excelled at portraying in his previous novels: relationships, family or close friends (who might as well be family). Family is an important part of this novel, not just the siblings, but the extended family who reside in and near Charleston, SC. Louise and Mark’s aunts and cousins who are wonderfully drawn supporting characters help to provide some humor and idiosyncrasies that help to make the family unique. Family is who helps us through grief and a lot of this novel is about grief, too. Frankly, many haunted house stories have grief as a major theme and component, and Hendrix’s very human and empathetic characters navigate this complicated human emotion with plausibility…if you factor in creepy haunted puppets into the mix

    Grady Hendrix has become must read for me, he’s grown into a modern master of the genre and each new book he publishes shows his growth as a storyteller in everything that word encompasses. He’s a smart, savvy writer who spins emotional stories featuring very human people and themes with the best of them.

     
    The Vagrant Gods by David Dalglish




    I was incredibly impressed with my first experience reading a novel by David Dalglish, which happened to be the first book in this series so I was very excited to dive into book 2. That excitement was warranted. 

    The Sapphire Altar picks up shortly after the conclusion of The Bladed Faith with The Vagrant (a.k.a. Prince Cyrus) questioning the rebellion, his place in it, and the man pulling the strings of the rebellion. But Cyrus knows the Empire must be taken down, regardless of his misgivings because the fist of the Everlorn Empire is clenching harder on Thanet. Violent executions of disbelievers are the norm while they try to capture the Vagrant.

    What impresses me the most about the characters is that none of them seem short-changed. They all feel incredibly well-wrought to the point that I wouldn’t be surprised if Dalglish has a notebook on each of them with details that we as the readers will never see and that the characters most definitely have lived.

    In The Sapphire Altar, Dalglish has managed to craft a second book of a series that improves upon the original in layers of world-depth, character building, and stakes. It doesn’t merely tread water waiting for the next volume of the trilogy. I’d call this more of the Second Chapter of the Vagrant Gods series than anything else.

    The Reformatory by Tananarive Due



    When Robbie's white neighbor Lyle McCormack, the son of a fairly influential man in Gracetown, makes advances on Robert’s sister, Robert steps into the situation. There’s a minor physical altercation between Robert and Lyle. As a result, Robert is beaten by Lyle’s father, handcuffed, and shipped off to the Gracetown School for Boys. As it turns out, Gracetown is a recurring town in Due's fiction and if anything screamed the opposite of what its name implied, it is this “home for boys.”

    Due has a very personal connection to the history that informs the backdrop of the novel. Without knowing that, the novel feels intimate and personal. Knowing the connection only hammers home that part even more. Her prose and storytelling is gut-wrenching, addictive, and powerful. None of this would work nearly as well if Tananarive Due wasn't a marvelous writer and storyteller. She pulled me into the story immediately, I felt empathy for young Robert and Gloria and felt their anger, pain, and frustration. Her skill at portraying youthful protagonists dealing with adult horrors is powerful, engaging, and enthralling. This is the kind of book that entertains and enlightens. It is simply transcendent.

    Just Like Home by Sarah Gailey
     

    The novel is told from Vera’s perspective, but in a unique and fascinating way. We get the “current” timeline of the novel with Vera returning home in the past tense, but when we focus on a pre-teen / teenaged Vera, it is told in the present tense. We only get her perspective, either way. Her wariness in the present about her mother, or Daphne as she’s been calling her mother since she was thirteen becomes understandable the more the past chapters reveal about their lives together. Vera’s whiplash of emotions from being protected and adored by her father to only be verbally and psychologically abused by her mother is raw, it felt real, and I felt a great deal of sympathy for Vera.

    In the present, Vera is continually left unbalanced by her mother’s mood swings which can contradict the spiteful woman she knew growing up. The verbal confrontations with James only amplifies Vera’s sense of unease. To the point that she hears noises, thinks she sees shadows moving, and is convinced *something* is under her bed to the point she goes out and buys a new bed. The icing on the cake of these creepy and potentially supernatural moments are the folded pages she randomly finds that are written in her father’s handwriting. There are more creepy/supernatural elements, I’ll just leave it at that. The timing of the instances of these creepy scenes is expertly doled out by Gailey. She’s got a wonderful sense of pace in the novel. That incredible pacing is also on full display in how Gailey reveals Vera’s past and how she grew closer to her father.

     

    Black Sheep by Rachel Harrison



    Harrison has proven to be very incisive with her ability to marry horror tropes with societal challenges like werewolves and sisterly love/competition in Such Sharp Teeth, friendship (ranging from true friendship bonds and toxic friendship) and supernatural/demonic possession. Here, Harrison takes her writerly scalpel to cultish religions and familial relationships. There’s a point, about 1/3 into the novel that is one of those “kick wham” moments that is best enjoyed without knowing it, and even that is too much of a spoiler. I’ll just say that I had to re-read it a couple of times.

    Within the novel’s pages is a powerful examination of family, truth, what it feels like to be an outsider everywhere, and betrayal. Rachel Harrison sets these important themes against the backdrop of dark, engaging, and delightfully sinister cult novel. Another great Rachel Harrison novel that continues to establish her as one of the preeminent voices in modern horror..

     

    101 Horror Books to Read You're Murdered by Sadie “Mother Horror” Hartmann


    What Sadie has done with 101 Books... and its focus on books published (mostly) between 2000 and 2023 is serve up a perfect modern companion to Hendrix’s Bram Stoker Award winning book. Just like Hendrix’s Paperbacks from Hell, Sadie Hartmann’s love letter to modern horror should be honored with the Bram Stoker Award for Non-Fiction. … 101 Horror Books to Read Before You’re Murdered is a definitive look at horror fiction in the early 21st Century by a smart and engaging voice who has her finger on the pulse of the genre. … If I haven’t made it clear by this point, this is a MUST-OWN book for any horror fan and a great book for anybody with a passing interest in the genre.


    Night’s Edge by Liz Kerin
    (My Top 2023 Debut)



    Damn, is this a potent novel. Kerin painfully depicts the co-dependent bordering on parasitic relationship dynamic in Night’s Edge. I’ve had family members who found themselves in a familial caregiver type of relationship and damage and negativity can grow over the years… even when the caregiver and caretaker love each other like family. I was at a remove from that relationship, but other members of my family with whom I was close heard a lot of that negativity. The relationship between Mia and Izzy is ratcheted up a couple of levels, after all, Izzy is literally taking her daughter’s blood as sustenance. 

    I can’t recall if Kerin actually used the word “vampire” in the novel and in that regard, I found a parallel to Mike Flanagan’s masterpiece, Midnight Mass. While Night’s Edge is a bit more intimate and personal, the effect is similar. I was also reminded of another vampire (and zombie) masterpiece, Richard Matheson’s I Am Legend in the way the vamprisim is more of a plague/disease and how it halts civilization.

    The Plot by Jean Hanff Korelitz



    The Plot was one of the rare non-genre books I read in 2023. My wife read it and recommended it to me and I loved it. The story concerns a promising young writer, Jacob Finch Bonner, who manages to publish a bestselling novel, but struggles to find his next book. He is teaching an MFA program when Bonner encounters a very strange student whose story is so unique and different, it sticks in the professor’s mind. The student dies under mysterious circumstances, but the story he told Bonner won’t leave him…so he decides to publish it. The novel is a fascinating and taut thriller, a mediation on authorial voice, authenticity, truth in fiction, and the inner fears many writers experience. I still question things about it months later after breezing through the 320 pages in just two days.



    BE SURE collects the first three, Every Heart a Doorway, Down Among the Sticks and Bones, and Beneath the Sugar Sky. … Seanan McGuire has done it again. She’s hooked me on yet another of her long running series. I’m about a dozen books into her October Daye series, just started her Incryptid series, and loved the Newslfesh saga under her Mira Grant pseudonym. As fun as those series and books are and were, Wayward Children feels like it may be her may be her defining work. It is enthralling, tackles some really important themes (not that she doesn’t in all of her work), and has some of the most endearing characters in her many works. This is a series that will stand the test of time and BE SURE has more than earned a spot on the shelf of my personal Omnibus Hall of Fame.


    The September House
    by Carissa Orlando




    ...this story isn’t about somebody trying to escape their haunted house, our protagonist Margaret has embraced her haunted house. It was the dream house she and her husband Hal purchased and she is not giving it up. … Of course, haunted house stories are always about more than just a dwelling being haunted. Margaret is the narrator of the story and Orlando all but begs the reader to question how reliable of a narrator she is. We know from her conversations with her daughter, Margaret is not sharing very much information. Margaret is haunted and the pacing at which Orlando reveals Margaret’s past is handled with measured precision. Details about her marriage to Hal come to light, which helps to give reason for Margaret’s actions.

     

    The Justice of Kings
    and The Tyranny of Faith (The first two books of The Empire of the Wolf) by Richard Swan




    Two books for one slot, largely because I read them sort of back-to-back and they are part of the same story. With The Justice of Kings, his fantasy debut from Orbit, Swan bursts onto the traditionally published scene and kicks off the Empire of Wolf trilogy. The novel is told from the first person perspective of Helena Sedanka, the law clerk of Sir Konrad Vonvalt, a King’s Justice of the Imperial Magistratum of the Sovan Empire. Not unlike Watson relaying the events of Sherlock Holmes’s investigations, except that Vonvalt is not an independent investigator. He is the Emperor’s voice, he is judge, jury, and executioner, when necessary. … the gut of the story is a murder mystery/conspiracy story. The world of the novel is at the precipice of a shift in power, and much of the conflict is between secular law and religious law. Those kinds of conflicting ideologies make for great story and Swan does a very good job of presenting this conflict through his characters. … Swan’s novel is one of the best series starters and fantasy debuts I’ve read the past decade. He has absolutely captured a “voice” in this tale. … Swan picks up the tale of Konrad and Helena in The Tyranny of Faith. Picking up shortly after the events of the previous novel, Helena and Konrad Vonvalt head to the capital of the Empire to investigate how deep the corruption they discovered in The Justice of Kings runs. … The somewhat subtle supernatural elements introduced in the first novel grew in prominence in this second novel in the trilogy. I am immensely impressed with Richard Swan’s Empire of Wolf trilogy thus far. He has set the story up for a thrilling, heart-rending, dark, and tension-filled finale and I cannot wait to read it.

    Camp Damascus by Chuck Tingle



    Yes, there are quite a few Messages in Camp Damascus, neurodivergent people matter and can strive; let people be who they are and love how and who they love; trying to squeeze everybody into a myopic worldview and narrow vision of love is evil. But this book wouldn’t work if it didn’t tell a damned good story. I’ve pointed out the incredible character of Rose, there are true moments of horror and terror, some great horror images evoked in the pages. It works as a gripping horror novel as much as it has a message. It is a thrilling story and it is the kind of story that just may help people suffering in some of the same ways as Rose is suffering.

    Black River Orchard by Chuck Wendig




    It has become predictable at this point for me to include a Chuck Wending novel in my favorite/best-of-the-year post. Blame him, not me. Evil apples, that’s the core (pun intended) of the MacGuffin in this novel. A strange, delicious apple variety that is addictive and drives people to some of their darker instincts. In this character-driven novel, the town of Harrow, in Bucks County, Pennsylvania town becomes obsessed with a new strand of apple. (I'm a short drive over the river from Bucks County so it was kind of fun to hear some locales I'm familiar with being referenced in the book.)

    A down-on-his luck famer named Dan Paxson comes across this strain of apples after a chance encounter with a mysterious individual. When he brings the fruits to the local farmer's market, he realizes he's got something special. These apples, named "Ruby Slipper" by Dan's daughter Calla, makes people feel good, allows them to give into some of their more base desires. As it turns out, Calla does not like apples, much to her father's chagrin.

    Chuck also focuses on a couple named Emily and Meg, who move back to the countryside of Pennsylvania to Meg's hometown after life in the big city didn't quite work out for them. As Meg eats more of the apples, the dark side of their relationship becomes more evident to Emily, who also does not like apples. 

    There's also an "apple hunter" named John who seeks out lost strands of apples and he knows a little bit about the apple known as "Ruby Slipper" though under a different name. 

    Small town drama and pettiness play out on a grand scale, all because that most American of fruits, the apple. Granted, all those unsavory elements were lurking beneath the surface (and right on the surface for some), but the Ruby Slippers enhance, exaggerate, and highlight those unsavory aspects to an even more uncomfortable degree. Wending naturally weaves in themes of gaslighting, bullying, the growing facist sect in America (and how it is impacting Bucks County, PA in real life), queer representation, sexual freedom, parenthood, just to name a handful. 

    With every book he publishes, Chuck Wending grows his resume as a modern master of horror and dark fiction and is a must buy and read for me.

    The Foxglove King (The Nightshade Crown#1) by Hannah Whitten




    The Foxglove King covers a lot of bases, there are political elements; faith & belief; trust; Whitten touches on parental abandonment issues on a couple of potent levels; there’s a romance triangle between Lore, Gabriel, and Bastian; the plot follows something of a mystery thread, it has the feel of a city fantasy and almost urban fantasy even though set in a secondary world. She pulls these elements together masterfully for a unique story. 

    The milieu in which the story takes place has enough details as well, there’s a mythology/religion that provides a strong foundation, but also seems to have more details yet to be revealed. I found a pleasant resonance between the world Whitten has created in The Foxglove King with the world Tad Williams revealed in The War of the Flowers as well the world of League of Legends as revealed in the Netflix show Arcana and the novel Ruination by Anthony Reynolds.… 

    I was enthralled with this novel from beginning to end, Whitten’s characters came alive as real people with emotions, snark, and annoyances that real people posses.

    Honorable mentions: Clown in a Cornfield 2: Frendo Lives by  Adam Cesare, Bloom by Delilah S. Dawson,  Engines of Chaos (The Age of Uprising #2) by R.S. Ford, Nightborn: Coldfire Rising by C.S. Friedman, All Hallows by Christopher Golden, Starling House by Alix E. Harrow, Good Girls Don't Die by Christina Henry, The Gwendy Trilogy by Stephen King and Richard Chizmar, Son of the Poison Rose by Jonathan Maberry, The Bloody Chorus by John Marco, The Mary Shelly Club by Goldy Moldavsky,  The Endless Vessel by Charles Soule, and White Horse by Erika T. Wurth.
                                                                                                                   

    That brings my 2023 read wrap-up/review to a close. Hopefully, 2024 will bring just as much quality fiction into our lives.



    Monday, January 03, 2022

    2021 Reading Year in Review

    It has been a few years since I did a reading year in review here at the Blog o’ Stuff, the most recent being 2018, and before that, 2015 so apparently, I update this blog every 3 years. That's a far cry from the multiple posts per week I'd publish in this blog's heyday.  

    For completeness sake, here are the other previous years I’ve put up a reading year in review, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006).

    As I've done every year for the past decade and a half, I've contributed to SFFWorld's Favorite of the Year lists: Fantasy/Horror, Science Fiction, and Film/TV. Where those book lists are focused only on 2021 releases, here at the dusty old Blog o' Stuff, I don't limit the list to just 2021 releases. I'm still very actively reviewing for both SFFWorld and The Tap Takeover

    2021 was a tougher year than 2020 in some ways. We thought normalcy would return, but that did not happen. We are still in a pandemic. The year began for me with surgery on my shoulder (which I scheduled in 2020, but still) and for the better part of the first half of the year, our sweet dog Sully was fighting major health issues, passing away at just over 11 years old on May 4, 2021. My wife and I were heart-broken, but we realized how much joy Sully brought to us over those years. In the summer; however, our spirits were brightened by the arrival of our new puppy, Dusty! She brings a smile to our face constantly and she was and is the perfect dog at the right time, she is exactly what we needed.



    Of the nearly 100 books I read in 2021, here are some stats: 
    • 30 2021/current year releases 
    • 33 reviews posted to SFFWorld
    • 40 can be considered Fantasy 
    • 32 can be considered Horror 
    • 18 can be considered Science Fiction 
    • 32 books by authors new to me 
    • 47 Books by women 
    • 15 total debut 
    • 17 audiobooks
    I also have to give a huge shout out to a couple of book folks on social media who have re-invigorated my love for the Horror genre. It isn't like I didn't read horror in the past, but it usually made up only about 20% to 25% of the books I read in any given year. In 2021 Horror was 34% of what I read. Fantasy is usually about 50%. Those shout outs: My college pal Dave Aldrich who started up his own booktube channel, Book Blather. Sadie Hartmann, AKA Mother Horror, who runs the Night Worms Book Box subscription service with Ashley Sawyers aka Spookish Mommy, maybe the best cheerleader/advocates for horror fiction I've come across in years as well as Neil McRobert's Talking Scared podcast. All positivity from them and quite a few books and writers I discovered this year are a result of following Sadie on Twitter and Instagram. Also, shout out also to my former SF Signal colleague Derek Austin Johnson (twitter), who has been posting one horror book per day for the whole year on his Instagram. 

    So, without further adieu, below are the books I enjoyed reading the most in 2021. There's no order outside of the first two on this post.  If I've reviewed the book, the title will link to the review.


    The Book of Accidents by Chuck Wendig
    (My favorite overall novel of 2021, Favorite Horror)




    What can I say about this novel without giving away too much of what makes it tick, from the dark and supernatural point of view? Nothing really, because this book turned into something quite unexpected. What I will say is that Oliver is a wonderful creation, despite the pain he feels from others, he does not crumble or wither. He finds strength in how this ability makes him want to help others. Like Oliver, what Chuck has done in The Book of Accidents is powerfully build up empathy in the characters he’s created in this novel. On the whole, their motivations seem genuine, their actions understandable if not approved, and the characters simply come to life. 

     In my review of Wanderers, I mentioned Chuck Wendig’s affinity for the fiction of Stephen King and parts of this novel (in addition to the elderly, friendly neighbor) definitely evoke the best of King’s work. The genius here; however, is that Chuck Wendig completely owns everything in The Book of Accidents. The result, a modern masterpiece of Dark/Horror Fiction.

     
    The Bone Maker by Sarah Beth Durst
    (My Favorite Fantasy Novel of 2021)




    Getting the gang back together is a popular motif in many stories, fantasy stories included. One of the most popular (and one of the foundational fantasy sagas in this vein for me) is the DragonLance Chronicles, so I suppose I’m pre-disposed to liking stories that begin in this fashion. In The Bone Maker, the evil sorcerer was defeated 25 years ago, but at no small cost to the heroes who took him down.

    Durst examines some deep things here, grief, forgiveness moving on (or not) from a powerful traumatic experience, faith/belief in ideals, and life being more than just one event. She does so this all while weaving a wonderful story and a fascinating, potent magic system in the back drop. The characters a mature, fully rounded, breathing, emotive people whose experiences so completely inform every action they take. Small things in the background of Durst’s writing, storytelling, and world-building make the story and characters on the page come across very elegantly.

    In a shelf-filled with multi-volume fantasies it is not only refreshing to see and enjoy a single-volume Epic Fantasy novel, but truly something special for the book to be this amazing.

    The Final Girl Support Group by Grady Hendrix




    I’m a big horror fan, but the slasher sub-genre was never my go-to subset of the genre. It isn’t that I dislike it, I just prefer some of the other flavors of horror. Of course, I’m familiar with a couple of the big ones like Halloween, Friday the 13th, and one of my overall favorite horror movies, A Nightmare on Elm Street, so some of the character stand-ins/homages didn’t land with me 100% since I’m not super well-versed in Slasher films. Again, that isn’t necessarily the point nor are those connections required to be made to completely enjoy the novel, more like a dash of whip cream on a delicious scoop of ice cream. In fact, Dr. Carol Elliott is likely an homage to Professor Carol J. Clover, who coined the term “Final Girl” and theory in her 1992 book, Men, Women, and Chainsaws: Gender in the Modern Horror Film. All of that said, The Final Girl Support Group was an enormously fun, extremely smart, thrill ride of a novel. It is a novel that both entertains and Makes a Statement, which in my mind, is what great literature should do. I continue to say this when I write about Grady Hendrix’s work, but with each novel or thing (non-fiction like Paperbacks from Hell or films he’s written) he produces in the genre, he’s cementing himself as a foundational voice in early 21st Century Horror. His novels have become appointment reading for me at this point.

    Blood of the Chosen by Django Wexler




    In everything I’ve read from Django Wexler, especially Blood of the Chosen, the action and combat scenes are essential, and extremely fun to experience. I didn’t feel like I was just reading the words on the page, I felt like I was a proverbial fly on the wall in the action. This is especially true of the final conflict of the novel, so much of the narrative was slow burn build that the explosive ending was extremely compelling. The slow burn of the novel’s beginning made the build-up and the action of the finale that more enjoyable. That ending also sows seeds in some verdant land for a potent continuation in the third novel.

    As thick as this novel was, just over 400 pages, I read through it rather briskly. Wexler is a damned fine storyteller and his love of the fantastic comes through the page as a catchy thing.

    Near the Bone and The Ghost Tree by Christina Henry


     

    The Ghost Tree: Henry does a great job with the pacing of the novel as she goes between the multiple threads of the novel. Alongside that strong element of the novel are the emotions of the characters and how strongly the come across the page. From the loneliness Lauren feels, to the awful feelings conveyed by Mrs. Schneider, to the anger the Lopez family feels, Henry makes each character unique.

    The Ghost Tree plays on some popular tropes in the horror genre, a 1980s setting, a small town with secret, haunted woods/tree, a hidden lineage and plays with them extremely well. One of my favorite horror novels over the past decade and a half is Dark Harvest by Norman Partridge and I found some really nice resonance between the two novels – small, isolated town with a dark secret being the most prominent.

    Near the Bone: This is the second book I read by Henry, but it will be far from my last. Set in a remote, secluded mountain cabin, Mattie is in what can be considered an unhealthy relationship with her husband William. She is confined to the cabin, except when William needs her help and William wants nobody to know of their presence on the mountain. When she discovers a mutilated fox, William decides to hunt down the thing that left the corpse near their house. Strange, inhuman voices begin to cry out in the night and visitors stumble upon Mattie and William. Part psychological thriller, part monster story, Henry tells a taut, gripping horror story here.

    Wizard of the Pigeons by Meghan Lindholm




    Wizard of the Pigeon is a novel that can work on multiple layers, and the power of Lindholm’s prose is in the ambiguity that allows the reader for that kind of experience. It can easily be readable as a novel with real magic in Seattle while it can also be read as an account of a man suffering from severe PTSD whose coping mechanism is thinking of himself as a wizard. The third alternative is a combination of the two. For me, I see magic.

    I must also comment on the physical book itself. As I intimated above, this book has largely been out of print for well over a decade. Sean Speakman, owner of Grim Oak Press decided to publish this 35th Anniversary edition and it is a book whose beauty does justice to the powerful story told between its covers. With evocative full-page color art pieces by Tommy Arnold, the book gets a truly Artistic treatment in terms of a physical book being a piece of art or an artifact.

    This book is a must read, must own for readers of the genre especially if you’ve enjoyed anything by Robin Hobb. Wizard of the Pigeons is a progenitor of the Urban Fantasy genre in the truest sense of magic in the cityscape and not leather-clad vampires and vampire hunters. Not that there’s anything wrong with leather clad vamps and vamp hunters, but this book is not that. This book is a beautiful testament to the power of prose, how beauty can be found and carved out of pain and through suffering.

    Mount Fitz Roy by Scott Sigler



    Mount Fitz Roy is the sequel to Sigler’s hugely popular novel Earthcore. I listened to both books via audible. I’ve enjoyed everything I’ve read from Sigler and when he re-released Earthcore with the great Ray Porter on audio, I finally read it…and immediately wanted to read Mount Fitz Roy. The premise is that an something on is hiding in the caves of large mountains where knives form an ancient civilization are found. It really isn’t a spoiler to point out this civilization aren’t human. Sigler builds up tension incredibly well and is a master at science fiction horror. Porter is maybe the best narrator I’ve had the pleasure to hear.

     

    The Sun Down Motel by Simone St. James




    A run down motel, murders in the past connected to our protagonist Carly who decides to work in the hotel to try to solve the unsolved murder of her aunt Viv 35 years earlier. St. James tells the story in parallel timelines, Carly in the present and Viv in the past, which makes the pages fly by because of St. James’s ability to end each chapter in a way that forces you to continue reading. The Sun Down Motel was a near pitch-perfect supernatural murder mystery, one of those books I wish I could read again for the first time.



    Ava Reid has boldly announced herself as a literary force with The Wolf and the Woodsman. The novel is impressive in its beauty, characters, and uncompromising nature and is all the more impressive for being Reid’s debut novel. I would not be in the least bit surprised if The Wolf and the Woodsman lands on multiple “Best of the Year” lists for 2021.

    Of Honey and Wildfires by Sarah Chorn




    Sarah Chorn’s second novel, Of Honey and Wildfires, is the start of a new series/new world and new characters. Set in a world that evokes the old West/Frontier, the Shine and mining of it dominates everything. The closest analogue I can think of is that Shine is kind of like Spice from Dune. It heals, it is a source of power, it can be consumed, it is everything. …

    Human emotion, tragedy, and pain are wrought beautifully on these pages through Sarah Chorn’s carefully constructed prose. There’s a sliver of hope throughout the undercurrent of despair and pain that helps to drive the narrative. Of Honey and Wildfires is a compulsively readable novel whose relatively short page count for the genre (barely 300 pages) belies the epic story and gamut of emotions and purely powerful storytelling on display.

    Whisper Down the Lane by Clay McLeod Chapman




    Chapman takes very real-life events and uses that as a launching pad to spin a gripping story out of those events. He does a fantastic job of humanizing the participants of what would seem to be a larger-than-life bombastic news story. I’ve long been fan of parallel narratives and here in Whisper Down the Lane, Chapman builds up the tension in both Sean and Richard’s stories. It is probably not much of a secret that these stories converge in some fashion, but how Chapman builds towards this convergence is extremely effective. He has a knack for creating a compulsive narrative, which is why I burned through the novel in a couple of days, Whisper Down the Lane was extremely challenging to set down.

    Whisper Down the Lane is a potent, compulsive thriller with horrific elements that is one of the most gripping novels I’ve read this year.

    Slewfoot by BROM



    Much of the story feels like a historical fantasy / fairy tale, but then Brom shifts the tone into something darker and a story firmly entrenched in horror. That build of tension and build of Abitha’s character is like a powder keg that explodes in what at one time could be considered dark magic. Here also is what Brom does so well…he upturns the historical perspective and turns the “good” on its head into something not quite so pleasant. He does this via the simmering of tension I mentioned earlier as well as the path Abitha’s nemesis Wallace takes. Brom gives readers a character to root for in Abitha and an antagonist that is unlikeable in Wallace. Brom doesn’t just make Wallace a cardboard cut-out of a villain, he balances the character by showing some insight into the Wallace’s motivation. We see why he feels the way he does, even if his reaction to those feelings are villainous.

    Brom’s art, a half-dozen color plates in the center of the book and chapter icons that take up half the page, enhance the immersive experience of Slewfoot. His words are just as potent at telling the story as is his art. The obvious comparison in recent years is to the film The VVitch because the timeframe, horrific elements, witchcraft, but except maybe a bit more hopeful.

    Brom has created a story that feels familiar and fresh and is the kind of powerful story that could last through the generations as a book/novel/story to revisit every Hallowe’en.

    Star Kingdom by Lindsay Buroker




    This is the second series I’ve read from Buroker and she has a great knack for character and storytelling in her work. She’s self-published (one of the biggest names in genre self-published authors), but most of her work is also available via audible. This series takes place thousands of years in the future when humanity has left Earth. The Star Kingdom series focuses on robotics professor Casmir Dabrowski, who is forced to flee his comfortable life when he is being hunted for reasons he can’t imagine. Joining Casmir is his best friend and roommate Kim Sato and filled with great character development, thrilling action, and are just pure fun. These audio books are available as omnibus editions and are fantastic listens.

    The Wheel of Time by Robert Jordan




    I guess I re-read this series about once every ten years. Or when the TV Show starts up. Either way, I am in the midst of re-reading the series via audiobook and I’m loving it. I’ve said quite a bit about this series in the past, and as of this writing, I had just finished The Dragon Reborn. 

    Maradaine by Marshall Ryan Maresca




    Maresca’s interlinked series of series has been a delight. I read The Thorn of Dentonhill back in 2015, dove back into some of the Maradaine novels last year, and have continued to make my way through the various series this year, in chronological order not in series order, which is what Mr. Maresca recommends. These books are relatively short (barely 400 pages at most) in mass market paperback and have a sword and sorcery feel to them, taking place in a shared location. In many ways, his Maradaine saga is not unlike the Marvel Cinematic Universe, four trilogies that eventually tie together. You don’t necessarily need to read one of the trilogies to get what is going on in the other, but it makes for a more rewarding experience. Maresca has a handy "reading order" guide.

    I also reviewed, and loved the 2021 entry in this series, An Unintended Voyage, which seems to act as a bridge between "Phase One" of Maradaine and the next phase. 

    Miriam Black by Chuck Wendig




    For all that I’ve read by Chuck Wendig, I’d never read his breakout series, Miriam Black and the only reason I’m not kicking myself for not getting to this series sooner is because I’m not getting to experience these books for the first time. Miriam can tell you how you die and exactly when you die just by touching you. That doesn’t sound fun at all, and Miriam would agree with that sentiment. Horror/thriller/mystery rolled together, I think Chuck has said he envisions these as horror novels. I’m not going to argue with the man. I’ve read the first three thus far, Blackbirds, Mockingbird, and The Cormorant.

    I think it might be obvious at this point that my author of the year is Chuck Wendig. Even if I hadn’t met and chatted with him in the past, I’d love his books and writing.

    So...not a bad year for reading for me. This year was the first time in probably 15 to 20 years that I got close to reading 100 books in a year.