Friday Round-Up: Peter V. Brett, Myke Cole, and Me at SFFWorld

A couple of new reviews over the past couple of weeks at SFFWorld, and the reviews happen to be of books by writers who are best friends.

On the day the book was released, I posted my review of Peter V. Brett’s The Skull Throne, the fourth installment of his Demon Cycle series, which I’ve been enjoying a great deal. This is his strongest novel yet:

We see why The Skull Throne is titled as such; Jardir’s seeming death leaves the Throne of Krasia quite empty with many people vying to keep it warm in his absence, chief among those are his many children. Here we see the land of Everam’s Bounty, which is what the Krasian’s have renamed the land they’ve conquered and is their base of operations in the Greenlands. Although Jardir’s relatives may be the players vying for the throne, the returning Inevara and Abban are the puppet masters pulling the strings. Chief among the players are Asome and Jayan, two of Jardir’s sons; both of whom are headstrong and in the case of Jayan, to a fatalistic and nearly cartoonish degree. In fact, I’d even say that Jayan is a more dangerously immature than a certain young royal of King’s Landing. Jayan takes no advice and sees nearly every action as a slight to him and he responds to even the most minor slight with the equivalent of Scorched Earth Policy.

…

Another character who continues to grab my attention is Abban, the handicapped advisor to Jardir and Inevera. What he lacks in physical prowess, he more than compensates for in mental craftiness. Although I might not want to associate with such a character in real life, as a character he is a delight to read. Though the easy comparison is to Tyrion, I found much more in common with Mocker from Glen Cook’s Dread Empire series or Kruppe from Erikson & Esslemont’s Malazan novels.

Most recently (earlier this week), I posted my review of Myke Cole’s Gemini Cell, set in his Shadow OPS milieu but not connected to the original three books by anything other than the same world. Like Peter’s book above, Gemini Cell is Myke’s best published book:

… this is the perfect entry point for new readers. In it, Myke introduces readers to Jim Schweitzer, a Navy SEAL, husband, and father. Like many soldiers/operators, he is torn between his military life and his family life. His wife Sarah is an artist and her career is beginning to flourish. As the novel starts, Sarah is having a major exhibition of her work and unfortunately, Jim is called away in the middle of the exhibition by the Navy for an emergency mission.

…

Gemini Cell is rewarding for both new readers interested in sampling Myke’s novels and readers who have followed the exploits of the Supernatural Operations Corps through the first three Shadow OPS novels. A glimpse into the early days is a fascinating thing as the military is barely understanding the magic they are trying to exploit as part of its toolset. New readers can see things at the foundation of the milieu while readers like myself can see that beginning and realize how relatively far the military has come in exploiting magic.

Also last week, I was interviewed by Nila White, one of the moderators of SFFWorld and the editor of the SFFWorld anthologies. We've been doing a series of interviews with forum members and behind-the-scenes folks and my turn was last week.

Wars to End All Wars: Alternate Tales from the Trenches Published!

As a member of the SFFWorld team (lead US book reviewer, forum moderator) for the past decade and more, I've come across quite a few folks: fans, published authors,  and people behind the scenes. One of those people is writer and  editor N.E. White.  Nila has been editing anthologies comprised mainly of stories from members of the SFFWorld writing community, which is a very vibrant and strong community. I'd even say over the past few years, the writer's forum/community has been the most consistent and active of the many subforums. Each year Nila has compiled anthology, she has featured a big name, published writer. The first anthology featured Michael J. Sullivan and Hugh Howey, last year's featured Mark Lawrence and this year's anthology features another favorite author: Elizabeth Moon. (Yes, that New York Times best selling and award winning Elizabeth Moon who wrote a trilogy of books that resides in my Omnibus Hall of Fame).

My part in this was small, I read most of the submitted stories, provided feedback (whether the story should our shouldn't be included) and gave each story a full edit. So, without further ado, here's Wars to End All Wars: Alternate Tales from the Trenches.

Alternate tales set during the first World War, this short story collection takes history and tweaks it.

2014 marks the 100th anniversary of the start of World War 1. Seven authors, including the award-winning Science Fiction and Fantasy author, Elizabeth Moon, commemorate that event by writing stories set during the great war, adding their own, sometimes speculative, interpretations and answering the question, "What if...?"

Here's the full table of contents:

1. “The Girl with the Flaxen Hair” by Igor Ljubuncic
2. “Wormhole” by Lee Swift
3. “Jawohl” by Wilson Geiger
4. “Tradition” by Elizabeth Moon
5. “On the Cheap” by Dan Beiger
6. “One Man’s War” by G.L. Lathian
7. “The Foundation” by Andrew Leon Hudson

The book is currently only $.99 and can be found at your favorite here:

Amazon

Smashwords

goodreads

Barnes and Noble, Kobo, iTunes, etc. generally take a little longer.

Friday Round-up: Corey & Howey at SFFWorld and Sullivan at Tor.com

This week's Friday round-up includes another Tor.com piece and SFFWorld review from, plus

First up is my book review of Cibola Burn, the latest installment of (IMHO) the best space based Science Fiction series on the shelves today, James S.A. Corey's The Expanse:

New Terra is not just a potentially inhabitable planet, it is the first inhabitable planet around a distant star (named Ilus) which also has rich deposits of minerals rare and useful. Chrisjen Avasarala, a very high official of the Earth government and a fan-favorite viewpoint character from Caliban’s War, appoints Holden as a mediator with the task of settling the tensions between the people who have made the pilgrimage to New Terra as colonists and Royal Charter Energy (RCE), the company trying to stake a claim for the planet as their own. A group of terrorists have detonated a bomb on the planet’s main Launchpad, destroying an RCE ship and killing the half the people aboard.

...

Corey has always populated these novels with strong characters. We’ve come to know Holden fairly well over the course of these four novels, and while it is great to see returning characters (Bobbie Draper was a POV character and she returns as a POV character in the prologue here), meeting new people is always a feature. The standout here was Elvi, a determined scientist who fits the mold of ‘scientist hero’ in the same vein as many protagonists from the Golden Age aside from her gender. One of the most telling things we learn through her is how the “life” on New Terra cannot be really measured by any known means.

I wrote another #Torbit piece, in support of Hachette/Orbit authors for Tor.com.  This time, I focused on Michael J. Sullivan:

Each omnibus collects two Riyria novels, and the first two, Theft of Swords and Rise of Empire, contain stories that were previously self-published. However, the third volume, Heir of Novron, is split between a previously self-published work and a brand new conclusion to the series titled Percepliquis. Sullivan didn’t want to put-off his long-time readers too much by demanding that they re-purchase book five, so Orbit allowed a compromise of sorts for this final novel, but more on that later.

The series tells the tale of two friends and brothers in arms: Royce Melborn, a thief, and Hadrian Blackwater, a mercenary. The two call themselves Riyria and are known as a competent duo, working outside the thieves’ guild and taking on jobs for nobles who would otherwise not want to get their hands dirty. Off the bat, Sullivan gives readers fully-formed protagonists who are mature rather than the clichéd farmboys of epic fantasy. In fact, the feel of the story at the outset has more of a sword and sorcery adventure than epic fantasy. Of course, the comparison many people have made to Royce and Hadrian is to Fritz Leiber’s Fafhrd and the Grey Mouser. The relationship between Royce and Hadrian comes across as something that is long-standing.

Also at SFFWorld, Nila reviews another one of Hugh Howey's post-apocalyptic (though not related to Wool) novels, Sand:

Original released as a serial, in Hugh Howey’s latest novel we are introduced to a family falling apart after their father left them for a better place. Actually, he left them to find a better place, but nonetheless, he left them. In his wake, his wife, daughter and three sons struggle to make it in a post-apocalyptic Colorado.

The story is set long after a cataclysmic event that left the world filled with sand and wind. The populations in and around Low-Pub (Pueblo, CO), Springston (Colorado Springs, CO), and Danvar (Denver, CO) have re-arranged themselves into shuffling towns that move with the sands. Water is limited, like it always is in the west, but it is made even harder to acquire because of the constantly shifting sands. The old towns (and knowledge) have long been buried and people have devised a way to dive deep into the sands to recover artifacts that can be used up top.

I will also mention that I "engage" in the comments of this week's episode of Rocket Talk, the Justin Landon-run podcast for Tor.com.

Weekly Round-Up: Patrick, Sanderson, and Karsak

Some new reviews at SFFWorld this past week, including one from Mark, one from Nila, and one from me.

Mark reviewed Den Patrick's The Boy with The Porcelain Blade, about a week after interviewing Den. Here's a bit of Mark's review:

As we begin the book Landfall is a place in turmoil. The King is clearly insane and so the world is run by people to whom corruption is second-nature. Our main protagonist in this story is Lucien de Fontein, a child of privilege, born into one of the Kingdom of Landfall’s wealthiest families. Although he is an Orfano (some sort of royal bastard child) he has certain benefits. He is nannied, educated and trained to use a porcelain sword in fighting, at which he has some skill.

...

The plot is mainly about Lucien’s coming of age, written in a style that flitters between the present and the past. Most of his early life, rather like Titus Groan’s in Gormenghast, is centred on one place, in Lucien’s case the city state of Demesne. Here we see Lucien grow and become increasingly independent. He finds himself having to defend himself against some Orfano and ally himself with others, finds himself at odds with some of his tutors and befriends others. In the end he uncovers a grisly mystery, and secrets about his past and his heritage that have been hidden from others for a long time…

I reviewed perhaps the biggest (both in physical size and anticpated) fantasy novel of the year, Words of Radiance, the second installment of Brandon Sanderson's Stormlight Archive:

Whereas the first novel, The Way of Kings, focused a great deal on the character of Khaladin, Words of Radiance (as has been mentioned by many who’ve read it) is Shallan’s book. She is apprenticing under Dalinar’s daughter Jasnah, learning about the history of the world and essentially practicing the magic of the world. In many ways, Shallan’s journey over the course of this novel reminded me a bit of the journey Daenerys Targaryen has been taking for much of George R.R. Martin’s A Song of Ice and Fire. Shallan’s family is not what it once was, an event in the first third of the novel forces her to travel with, initially, very few companions until she begins to amass followers after making bold promises to them, and she is asserting herself in the world. Through flashback sequences to her life prior to her introduction to the series, Sanderson provides many tragic details about Shallan that inform the person we are traveling with on her journey to the Shattered Plains. The emotional resonance of her past echoes to her “current” journey, helping to make such large and epic novel feel so intimate and personal. As Shallan is a young woman not fully aware of the world at large, we as the readers get to learn about the world anew as she experiences and learns about it herself. This sort of world-building and storytelling is often the strongest kind giving the character a strong tie to the world and here in Words of Radiance, it is highlight of the novel.

...

I would be remiss if I didn’t mention the beautiful package/piece of art this book is. The US cover (Tor) is by the legendary Michael Whelan, front interior art is a character study of Shallan by Michael Whelan (above, which in my opinion should be the cover), and back endpapers of a map. Brandon posted all the artwork from the book here. Each chapter has an icon denoting on whom the chapter will focus and scattered throughout the book are full page illustrations which come across as creature illustrations, character studies, and the like. Irene Gallo and the whole Tor art and production team should be highly commended.

Nila continues her review of self-published/small press titles with Chasing the Star Garden by Melanie Karsak:

The book begins in the middle of a race. Lily and her crew are sailing through the sky above London, hot on the heels of her racing nemesis, an obviously better pilot than she because he wins and she doesn’t. Lily does come in second place, which isn’t half bad, but before she can claim her trophy, a man dressed in harlequin assaults her by shoving a long, clothed cylinder down the front of her pants – then promptly plunges to his death.

...

In addition, though Chasing the Star Garden was an interesting read and had some wonderful airship maneuvers, I never felt a connection to the main character. Lily’s life begins with the strict attentions of a couple of horrendous male guardians. She’s psychologically scarred and becomes an opium addict because of them, but somehow Lily ends up with well-intentioned men around her during this story. Though her love affair with Lord Byron, also a benefactor, might be construed as damaging, he does not demand much from Lily. He seems more of a easy crutch for the author to give Lily want she needs when she needs it.

SFFWorld/SF Signal Link-Dump Friday (Decker, Carey, Ashura)

Over the last couple of weeks, I've had a few things posted on SFFWorld and SF Signal.  Last week, my review of James K. Decker's Fallout, an excellent follow-up to his superb The Burn Zone.  Fallout successfully builds on its predecessor and makes me want to read more about these characters and the world:

So, what can a review offer when holding back on a lot of the plot description? Well, I can say that Fallout is an excellent follow-up to what I thought was one of the more enjoyable (and surprising because of the comparably small fanfare prior to the release of the novel) SF novels I read in 2013. Decker takes everything he did previously and turns it up to eleven. Seeing the world through Sam’s eyes is not a pretty thing, society seems on the fringe of survival, the future is an unclean world, and trust is something she has little spare change for in her wallet. Her ‘father’ Dragan has taken up with a woman whom Sam distrusts and dislikes. Sam’s trying to strike a balance with Vamp; Sam knows he has romantic feelings for her but she’s afraid to let him get too close.

...

Although the novel is set primarily in Hangfei, in taking the story to that theoretical 11, Decker expands the conflict and issue of the Haan to a global scale. Nations outside of China are mentioned as problematic, particularly America. Implications are not only relegated to Hangfei in China, elevating Sam’s plight and actions above a personal issue.

Over at SF Signal, my latest Completist column was published featuring a novel split into two books for publishing purposes.  A haunting, dark, and beautiful tragedy, Jacqueline Carey's The Sundering:

The Sundering Duology (Banewreaker and Godslayer) tells the story of the powers of the “dark” struggling against the powers of “light.” A bright force loved by many, with a dark enemy many look upon as the epitome of evil. Prophecy, elves, an ancient powerful wizard, a youthful bearer of a powerful object, and a dark army of ogres may sound familiar, but that is the beauty of what Ms. Carey is laying out in this novel — familiarity laced with something new. Indeed, this is the essence of much of the best High/Epic Fantasy today, readers know the generalities of the territory in which they tread, it is the magical spin with which the author presents the story that can make the story/novel rise above its peers. The Sundering definitely rises above its peers. On the surface, The Sundering seems, and only on the thin surface, another Tolkien-inspired saga of Good versus Evil, or rather Evil vs. Good.

...

The Sundering is very much a tragedy, especially considering the protagonist is a “villain” and this is essentially told through the Lord of the Rings framework. That said, the prose and writing is elegant, and an experience I did not want to cease. Her ability at creating real characters is excellent. This novel, with the dark cloud of war driven by motivations muddied with changing points of view, resonates with today’s world.

Nila reviewed Davis Ashura's debut novel A Warrior’s Path – Book One: The Castes and the Out Castes,. (David has been hanging around the SFFWorld forums for a few years under the Radone moniker):

Mr. Davis Ashura’s debut novel, A Warrior’s Path – Book One: The Castes and the Out Castes, is told from the point of view of several characters. The first we are introduced to is Rukh Shekton and his cousins out on their first, their virgin, mission across the monster-ridden spaces between protected cities. Their caravan is about to be attacked by those monsters, the Chimera, creatures cobbled together from different parts of other animals by an insane god, Suwraith. The troop, hundreds strong, prepare to outrun the Chimeras. They discard their wagons and any gear not necessary for survival. Scouts are dispatched and a small contingent sent back to Asoka (their destination) to relay events.

...

I picked up and put down this book several times, intending not to continue reading it. Once I got past the first few sections, I’d been inundated with so much backstory and world-building, I simply kept reading because I invested so much energy trying to keep all the names straight, I thought I owed it to myself to just keep trying.

I’m glad I did.

Mark and I helped to host a part of Brandon Sanderson's UK blog tour and Den Patrick made a stop to tell SFFWorld about the world of his new novel, The Boy with the Porcelain Blade.

Also at SF Signal, Patrick Hester did a podcast interview with Jeff VanderMeer about his new Southern Reach Trilogy, which is getting a staggered release throughout 2014 and Paul Weimer reviewed the kickstarted Kaiju Rising anthology edited by Nick Sharps and Tim Marquitz (which I backed).

Review Round-up W/E 2014-03-07 - Harris, Hines & Patrick

The last half of that title sounds like a law firm, doesn't it? Any-who....here's a recap of the week (or so) that was for book reviews/interviews at some of the internet places where you are most likely to find me...

A little over a week ago, we (specifically Mark Yon) interviewed Den Patrick, author of the forthcoming novel, The Boy with the Porcelain Blade:

Has Boy with the Porcelain Blade always been planned as the first in a series? 

Den: Very much so. I wasn’t even sure there would be a second novel at first. As I wrote Porcelain I decided what would happen in book two of The Erebus Sequence, and that it would have a different protagonist. Book three has two female protagonists.

At one point I understand the book was being called The Boy with the Porcelain Ears? Is that true? 

It is. The feeling at my publisher was that ‘Ears’ felt too weird and literary. I’m perfectly fine with people thinking I’m weird. I’m weird for a living, but we didn’t want to chase off fans of traditional fantasy. The novices are given ceramic blades in Landfall, earning steel blades upon their eighteenth birthday, so the title change wasn’t too much of a stretch. Much of the novel is about childhood and coming of age, which is a fragile time where mistakes are made and things get broken.

I reviewed Joanne Harris's wonderful mythpunk novel, The Gospel of Loki for Tor.com, which tells the Norse mythology from Loki's Humble point of view:

Harris captures the essence of what we as the reader would hope the trickster god would sound like. He is charming and forthcoming (to an extent), and honest in the fact that he admits he is telling this story from his point-of-view as the Humble Narrator. While he seems as if he is coming across honest and genuine, there’s also a sense that Loki isn’t telling the full story.

...

One thing Harris’s novel brings to light from the classical Norse myths, and an element that has taken a back seat (especially with the popularity of the Marvel Cinematic universe, which features Loki and the Norse pantheon) is that Loki is not the only being whose morality is grey and who is not fully honest. Though not as much of a trickster as Loki, Odin is certainly not completely forthcoming; he hides the truth even if he doesn’t lie. Much of Loki’s story comes across as a long-con to extract revenge upon the Asgardians for disliking him, demeaning him, treating him like a cur, and blaming him for all the bad things which happen over the course of the story. While he may be responsible for some of the things, they blame him with no evidence, just because he is not one of them.

Most recently, Mark Yon, Mark Chitty (the new guy at SFFWorld, but who has been part of the online community for a few years), Nila White and I did a round-table review of Jim Hines's Libriomancer, the launch of his Magic ex Libris series:

 

Mark Y: For me most of all it was the clear love of books throughout that won me over. Libriomancer is a book that makes you want to pick up other books, or it did me, anyway. Anybody else feel the same way?

Nila W: Hmmm, not really. It seemed more of an action-adventure story for me, rather than a homage to all the books he mentioned. Though I was impressed at how well all the story elements tied together with book history.

MarkC: To be honest, it made me feel like I haven’t read enough books. Hines clearly loves books, and he mentions so many throughout the novel that I kept on thinking that my reading history is woefully inadequate to get all the in-jokes. But it did make me want to expand my reading.

Rob B: Like Jo Walton’s Among Others, Libromancer made me want to read more, especially the books Jim mentioned in the story and more of Jim’s books. In short, I found it to be a great advertisement for the joy of reading the fantastic.

SFFWorld & SF Signal - Last Week of February (Butler, D'Lacey, Hamilton, Ottesen)

The great Hobbit of SFFWorld, Mark Yon, turned 50 this past week and 'celebrated' with a list of what he deems "50 Books to Read before You Die." Mark also looks at Peter Hamilton's first novel for younger readers, The Queen of Dreams:

The plot is briefly summarised as follows: Agatha (Taggie) and Jemima Paganuzzi are two young sisters who go on holiday to their divorced father’s farm, Orchard Cottage, for the summer vacation. As they are settling in, the appearance of a white bespectacled squirrel seems a little unusual. Things turn stranger when they find the squirrel talks and then their dad is kidnapped down the garden well by some evil creatures doing another’s bidding… and it becomes clear that Taggie, Jemima and Felix (the aforementioned squirrel) are the ones to rescue him…

However, if I was, say, a 7-12-year old girl, I suspect they would love it. The energy and frenetic pace keep the pages turning, even when the tale veers into the decidedly twee, (and I’m thinking of, as an example, the point where there is the enrolment of a certain Princess Elizabeth Windsor in 1940’s Blitz-hit London.) Generally though there’s enough charm and verve to carry the story forward over the odd bump.

I posted my review of the second half of Joseph D'Lacey's Black Dawn duology, The Book of the Crowman:

The Crowman as a figure has increased in prominence. In Black Dawn he was a whisper, a myth, but here in The Book of the Crowman, the figure is said to have been seen by other characters. He is a lightning rod, hunted by the Ward, elevated to a savoir figure by the Green Men (the rag-tag groups who oppose the structured order of the Ward). Gordon’s sole purpose is to find the Crowman by any means.
...
As the story/novel draw to close, the environmental theme of a Mother Earth is still strong, but more Judeo-Christian overtones vie for control of the story. These overtones were hinted at during the lead up to the story’s climax, but the theme thundered full force during a very graphic scene at the end. The allegory and resonant nature of the closing elements go from hints to being actually played out by the characters. The graphic nature of that pivotal scene is much more in-your-face and visceral than the earlier horrors hinted at in the novel. Considering much of D’Lacey’s previous fiction is very much in the horror genre, this shouldn’t be much of a surprise. For me, this shift worked in the larger context and themes I felt from of the Black Dawn, but I can see this element being a divisive point for readers.

Yesterday, the latest installment of my Completest column was posted to SF Signal, and features Lilith's Brood / Xenogenesis by the late, great Octavia E. Butler:

A big theme here, obviously, is that we need to look outside of ourselves to survive. Related to that, is the theme of The Other: coming to accept the Other and the consequences of rejecting the Other. There is also an implied resonance with Lilith’s initial situation and slavery; she has no choice in being taken from her land. In being the mother to her “owner’s” children, she gains a family and secures safety for that family. This conflicts with her feelings for the remainder of humanity on the space vessel as she tries to help some of them escape. The race conflict, is of course, writ large on the conflict between humans and Oankali.

Butler plays with symbolism in the names, too. Lilith, of course has many ancient and biblical connotations. Dawn, as the title of the first novel in the series, hints at things anew on the horizon, Adulthood Rites to the maturation cycle, and Imago is the final stage of an insect’s metamorphosis which is appropriate for the title for the final novel in the series.

Nila White reviews Golak by Josefine Ottesen (Translation by Martin Aitken):

The story begins with an attack on their village. The golaks, the result of terrible genetic experiments, approach the village walls pleading for food and help. The villagers, along with Jonah and his brother, attack the golaks, driving them off.

In the process, Jonah kills two of the golaks who look a lot like a woman and child instead of the monsters he expected. After the ordeal, once everyone is safe behind the village walls, they realize Jonah’s younger sister, outside the walls grazing her cow, has been taken by the fleeing golaks.

A search party is organized, including Jonah, his estranged brother, and another village boy who is slated to marry Jonah’s sister. They scour the nearby woods, but do not find her. Jonah is convinced if they just keep at the golak’s trail, they’ll find her. Jonah loves his sister and will do anything to save her, but the elders in the search party determine it is too late. The girl is lost. They order that everyone turn back before it gets too dark.

Rouaud's The Path of Anger, Scwab's Vicious, and Wallace's The Wolves of Paris

We've got a few new reviews at SFFWorld this week. Heck, ever since Dag revamped the Web site it  has been something of a hotbed for genre content like reviews and interviews.  One of the ongoing "series" at the site is "Authors review Authors." At the title implies, small press/self published authors pair up and review each other's work.

Aside from those regular updates, Mark, Nila, and I have new reviews.

Over the weekend, Mark posted his review of The Path of Anger by Antoine Rouaud, the first installment of The Book and the Sword:

I must admit my first impression was that this debut Fantasy novel was a book catering to the ‘I know-what-I-like’ reader. Admittedly the cover is very cool, but as we’re looking at a world of knights, Emperors and assassins, I was rather concerned that I’d think I’d read it all before.

How wrong I was.
...

The world is deliberately medieval-esque. It’s rather like the French Revolution of the 1790’s transposed to a more traditional medieval fantasy world. There is magic here, known as the animus, which people can tap into, although at a physical cost.

The world of Masalia is a world in transition: a place where we look at the formation of a Republic and the collapse of an Empire. It raises interesting questions, in the same way that the Star Wars trilogy does: when the Empire’s ended, the bad guys have been beaten: what happens next? The reader, and the people within this world, may not like all that they see.

Yesterday, I posted a book that will be on my list of best 2013 books. Vicious by V.E. Schwab is her fist novel for the adult market and is one of the best super-hero/super-villain deconstructions stories I've encountered:


Through a non-linear narrative, we learn in the “present” of the novel, Victor has just broken out of prison after serving for 10 years. Initially, his reason for incarceration is not given, but hints leading up to the revelation paint a good picture. The two friends were successful in their attempts to gain super powers, but as a result their friendship is forever fractured.

The first half of the narrative was told mostly from Victor’s point of view, and Eli’s point of view entered into the second half of the narrative, even if it was still mostly from Victor’s POV, with some chapters throughout from the POV of Sarah and Sydney, sisters, one of whom winds up as Victor’s ‘sidekick’ and the other a romantic interest for Eli. Schwab jumped around in time, focusing on the days surrounding the time Eli and Victor conducted their experiments in the hopes of becoming EOs and the days and weeks leading up to their final confrontation. The shortened chapters with intertwined timelines did a fantastic job of building suspense on multiple levels. It seemed a natural way for the story to be told, and I suspect it was one of those tricks that took a great deal of effort to get correct, but felt effortless due to Schwab’s incredible storytelling powers.



Today, Nila reviews Michael Wallace's The Wolves of Paris:

The Wolves of Paris is a short, fun read of murder, mayhem, and werewolves in 15th century Paris. Told primarily through three main characters; two brothers at odds with each other, and the woman they both love; The Wolves of Paris starts out funny. Not laugh-out-loud funny, but pretty darn close.

Two gate guards, an older, half-blind fellow and his younger compatriot, are freezing as night descends over Paris. The two collect tolls but their minds are decidedly in the gutter, awaiting the appearance of Lade d’Lisle’s bottom as she extends it over the Seine to relieve herself.
...
Michael Wallace writes a dashing tale of suspense, religion, intrigue, with a bit of romance thrown in for good measure. He colors his world with quick and accurate descriptions that keep the story moving briskly while filling out the histories and customs of the land. His characters are well-drawn and likeable, and the situations they find themselves in are touched with equal amounts of horror and humor.

SFFWorld Review Round-up: Baxter & Pratchett, Hough, Kemp, Jemisin, Martin, Willis

Some new reviews  have been posted over at SFFWorld and the SFFWorld Blog over the past coiuple of weeks. Reviews from both Mark and myself, as well as Nila White.  Here goes...

Visitors to the SFFWorld forums who know Mark are probably aware he's a big fan of Connie Willis.  His take on the collection The Best of Connie Willis (SFFWorld / SFFWorld Blog):

There are 10 stories, the 2006 Worldcon Guest of Honor Speech and her Grand Master speeches (both given and as an alternative version) included. As the editor of the book points out, Connie is nearly as well known for her presence on the US convention circuit as she is for her writing, so her speeches are nearly as entertaining.

What may also make this a must-buy for those who know the stories is both the Introduction by Connie and an Afterword by Connie for each of the ten tales. Like the speeches, they are, as you might expect, emotional, filled with warmth, wit and great self-deprecation, as well as clearly showing a deep everlasting love for the genre. Connie’s Introduction to her stories and how she came to read (and write) SF is about as eloquent an homage to older writers as you can get. The Afterwords end each of the tales nicely.

Yesterday (7/16), I reviewed the debut novel from Jason M. Hough, The Darwin Elevator, which also launches his Dire Earth Cycle of novels:

Hough does a lot of things well in his debut effort, The Darwin Elevator, which also launches The Dire Earth Cycle of novels. There’s a convincing sense of despair and desolation as conveyed through the characters who live in the world. Hough also imparts a plausible sense of fear about the Elevator and the characters concern over its source/origin. The elevator itself is more than just a MacGuffin, the mystery behind it, as well as potentially more events or contact with the builders is theme laced throughout the narrative. Neil Platz is the Donald Trump/Lex Luthor (with a slightly more altruistic bent, but still the Magnificent Bastard) like character who pulls many strings in Darwin and the civilized world. He was able to build his power and influence because he just so happened to have built power, water, and energy supply stations near the center of the civilized world which is now Darwin. Timing is everything and knowledge is power seem to embody Platz.

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Unfortunately, the inconsistent pace of the novel brushes over some of the characterization, especially regarding Skyler’s crew and the snarling Russell Blackfield (surprise, he’s an antagonist). Danger is inherit in an apocalyptic landscape with an alien technology people fear, don’t understand completely and whose origins are in question.

Over the past weekend, Nila had a look at the first installment of N.K. Jemisin's Dreamblood duology, The Killing Moon:

The Killing Moon is more about a time and place of Jemisin’s making than it is about any of these characters, but they will make you rejoice and weep as you follow them into the dream world and struggle to overcome the corruption that seeps through the fabric of their lives and their religion. This is the book’s greatest strength: its richly layered world and its incredible characters.

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Based on both Egyptian mythology and Nairobi traditions, I actually found the book to be too short. I wanted to spend more time with the characters in the places they found themselves, from the streets of the outer city of Gujaareen, to the desert oasis, and further afar into Kinsua. I found the cultures Jemisin created in the two city-states. as well as the religious Hetawa. to be both an interesting interpretation of African mythology as well as a relief from our own cultural hang ups concerning sex and gender. Not that the cultures in this book are perfect in that regard, but different from our own western sensibilities - and I liked it. I wanted more ‘meat’ to this story and would have been glad if the book was twice as long.

A little over a week ago, I dove into a long out of print fix up novel/collection from George R.R. Martin, Tuf Voyaging:

Seven stories are included in this fix-up novel/book and are presented in chronological order of the events of Haviland Tuf and his acquisition of the Ark rather than publication order.

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Martin has long professed his admiration for Jack Vance’s writing and these stories can very much be seen as homage to Vance or his style. The balance of humor and fantastical situations were hallmarks of Vance’s work. In particular, one might imagine Tuf himself interacting with Cudgel the Clevor or Rhialto the Marvelous. Undoubtedly, Tuf’s deadpan style and pure logic work in direct contrast to every personality he encounters. Nobody trusts Tuf, he is distressed by this lack of trust when he always attempts to present himself as, if not altruistically as possible, as logically as possible. Humanity has evolved to a state on many of the planets he visits that logic is far from even the tenth lens to view their respective world.

Last week Mark posted his review of The Long Earth, the collaboration between Stephen Baxter and Terry Pratchett (SFFWorld / SFFWorld Blog):

Much of the actual bones of the tale appear to be themes of Baxter’s, as there are resonances of his writing style, so reminiscent of Arthur C Clarke, throughout. There is an imaginative extrapolation of the ‘what-if’ here. The consequences of people migrating to these new worlds, the changes in society, trade, commerce and even religious belief are all examined here, and have that overarching tone of some of Baxter’s other books, such as Evolution. The characters also seem to fit the Baxter/Clarke template, in that they are not particularly deep or complex, but they are understandable and accessible. In terms of worlds, the writers clearly had a lot of fun explaining extinct animals and sapient civilisations. There’s a definite Arthur C Clarke/Olaf Stapledon feel of epic-ness to that aspect of the plot, which I am assuming comes mainly from Stephen Baxter.

If Stephen brings the imagination usually demanded by SF readers, what we seem to get, with added Pratchett, is a warmth and a less clinical, more human dimension that will appeal to those readers less SF-inclined. Readers should not be misled, however - this does not make a laugh-out-loud, comfortable Discworld-kind of novel – but there is, in places, a wry grin, and even at times a little acidic statement (something Terry can do very well.) In tone, this is more like Nation than Discworld. It is clear from the start, though, that when the power for the stepper is a potato, it’s obvious that there’s going to be a certain amount of humour involved. How a potato can change the world… 

A few weeks ago, I posted my review of Paul S. Kemp's second Egil & Nix novel, A Discourse in Steel (SFFWorld / SFFWorld Blog):

I said in my review of The Hammer and the Blade that Kemp is evoking Fritz Leiber, that evocation/homage continues here in A Discourse in Steel quite nicely. The protagonists Egil and Nix are fully realized characters who breathe and banter in my head like old friends. Kemp’s writing/storytelling with this duo puts you in the room, the tunnel, or dungeon with them; essentially, it feels as if you become part of their group. Sword and sorcery can be considered the fantasy equivalent of the buddy movie and Egil and Nix, along with Scott Lynch’s Locke and Jean, are perhaps the most entertaining buddies in the genre. Egil and Nix are a bit more experienced, which adds another layer to their dynamic and the depth of their history. At times I’d almost expect one of them to echo Murtaugh in saying I’m too old for this shite. That age and history comes into play as the Blackalley plays against a person’s fears, sorrow and loss. This affects Egil very profoundly as the regret over his lost wife and child continually come back to him as the duo progress through the narrative.

Myke Cole, Hugh Howey, & John Birmingham Reviewed

Back to something of a normal Tuesday post here at the o’ stuff wherein I post links, cover art, and an excerpt(s) of book reviews posted to SFFWorld by some combination of Mark Yon (aka Hobbit in the SFFWorld forums) N.E. White (tmso in the SFFWorld forums, Kathryn Ryan (Loerwyn in the SFFWorld forums) and yours truly. This week’s post brings reviews from Nila, Mark, and me.
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While I’ve already posted one book review of a current year/2013 release to Tor.com, here’s my first book review of a current year/2013 release to SFFWorld and it’s a book that I’ve looked forward to reading since reading the first in the series about a year ago. The book, the second installment of Myke Cole’s Shadow OPS series, Fortress Frontier:

In being assigned to the Forward Operating Base (FOB) Frontier in the world of magic, Bookbinder’s story intersects very quickly with Oscar Britton’s story, specifically the moments when Oscar flees the fortress and goes rogue. Oscar’s actions cause the FOB to be cut off from the home plane, something of a sidebar in Control Point but which takes front-and-center position as a major driving force of the plot. Bad goes to worse when a goblin tribe attacks the severely undersupplied FOB killing Bookbinder’s superior and forcing Bookbinder to become the acting head of FOB. Bookbinder’s magical powers emerging and his ascension to the head of the FOB occurs in just the first third of the novel. In other words, Cole packs a great deal of story into the novel, I found myself drawn into the story immediately.
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So, in short, Cole has admirably widened the geopolitical scope of his world in addition to increasing the character lenses through which we as the readers can view this world – a natural and impressive progression. The strength here is that character and world-building are equal parts of the whole and one’s development does not suffer from the growth of the other.

Nila has been following self-publishing sensation (Simon and Schuster picked up his books) Hugh Howey’s WOOL series and continues with the seventh installment Second Shift:

Second Shift begins with ‘Deathdays were birthdays.’ Through Mission, a young porter living in Silo 18, we learn how each life in the silos are linked to another. In the confines of the underground silos, one has to pass on, before another can take their place. Mission learned this the hard way. He lost his mother to a cleaning (the act of sending a silo occupant out into the hostile world to clean and subsequently die) the day he was born, because she hid her pregnancy. This fact haunts him throughout this day - his birthday - and leads him to wonder if he deserves the life he has.
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This is where Mr. Howey’s imagination has lead us to the popular world of the silos, where nothing is as it seems, and this latest addition to the series will not disappoint his fans. With smooth, evocative prose, the author brings us closer to old characters (Donald) and continues to introduce new, relatable characters (Mission and the Crow). Plot threads become clearer, while new ones emerge to tease readers along.

Along with an interview of John Birmingham, Mark reviews John’s Without Warning the first in a Tom Clancy-esque SF series:

However, in this alternate history, the saving of the world is not an option for the Americans. You see, without warning (and hence the title) an energy wave has caused the majority of the USA to disappear, with no survivors.

Really does set up a new scenario, doesn’t it?

With such a global event, and as you might expect, there are a broad range of characters having to deal with the issue from a number of different viewpoints.

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This is a BIG, meaty, novel, and as you might expect, it has big ideas and a broad canvas from the Iraq War in 2003 to Paris in Europe to Acapulco and Seattle. With America gone as primary peace keeper, the world soon descends into chaos as the remaining nations rearrange themselves in to some sort of new world order whilst the Middle East sees the event as some kind of miraculous, if not divine, intervention.

SFFWorld Reviewers' Top SF, Fantasy, & Horror of 2012

As we do every year at SFFWorld, Mark and I took a look back at what we read and reviewed at SFFWorld. This year, we pulled in KatG, who serves as one of the moderators, and Nila (N.E.) White (aka tmso) who moderates, writes reviews for us and makes sure the folks in the writing forum play nice with each other.

Part 1 covers Fantasy and Horror

April saw a slew of Fantasy novels reviewed. Rob reviewed The Hammer and the Blade by Paul S. Kemp, his first non-shared world/media tie-in which is a great example of modern Sword and Sorcery, as well as Elizabeth Bear’s ‘first true venture into Epic Fantasy’, Range of Ghosts. Mark read Alchemist of Souls by Anne Lyle and Fire by Kristin Cashore, occasional reviewer Kathryn read Forged in Fire by J.A. Pitts and Nila reviewed the third Mike Shevdon novel, Strangeness and Charm. Rob’s favorite in April was his much anticipated Caine's Law by Matthew Woodring Stover

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For the start of June SFFWorld went old-school, with the review of a game-book, Destiny Quest: The Legion of Shadow by Michael J. Ward. Mark found it quite fun. He also reviewed the UK re-release of George R.R. Martin’s Armageddon Rag, expanding on a short review he wrote for The Fortean Times. Rob enjoyed the fast-paced mayhem of Monster Hunter International by Larry Correia, and the Young Adult tale Thief's Covenant by Ari Marmell, but his favourite of the month (and of the year) was The Troupe by Robert Jackson Bennett, a Bradbury-esque tale of strange goings-on in a circus troupe.

Part 2 covers Science Fiction

January started strongly for Space Opera, with Alastair Reynolds’ Blue Remembered Earth which Mark reviewed. Rob reviewed The Recollection by Gareth L. Powell. We also reviewed something we should do more of at SFFWorld, an audio drama, when occasional reviewer Kathryn Ryan reviewed a Ciaphas Cain story Dead in the Water by Sandy Mitchell. Mark reviewed a superhero reimagining with Empire State by Adam Christopher and an old-fashioned duo of future-colony tales, Tau Ceti by Kevin Anderson and Steven Savile. Elsewhere, Paul Mc Auley’s In the Mouth of the Whale was another Space Opera liked by readers, as too Chris Beckett’s alien planet tale Dark Eden, though Mark was not as impressed. Lavie Tidhar’s Osama was published this month, with an audacious meta-fiction premise and was generally well liked, winning the World Fantasy Award for 2012 later in the year.

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Just as impressive in June was David Brin’s Existence, which Rob loved for its big, bold ideas and complex plot, saying ‘Brin achieved an excellent gestalt of character, big ideas, and narrative energy.’ We also had the US release of John Scalzi’s Redshirts, a book Rob recommended because it ‘succeeded in making me laugh a great deal and had the all-important powerful pull to keep reading to find out what happens next.’ Mark also reviewed the book on its UK release in December.

Almasi, Palma & JAWS reviewed at SFFWorld

It is the week of Thanksgiving here in New Jersey and we’ve got three new reviews at SFFWorld for which I hope you, my millions …. and millions of readers will be thankful. We’ve got a translation/international bestseller, reflection on film masterpiece and a debut novel today


G.T. Almasi is a graphic designer turned writer, with Blades of Winter; he launches both his novel writing career and a the inventive Alternate History/Spy Thriller/Cyberpunk Shadowstorm series

Set in the 1980s, the United States’s greatest enemies, at least the threats against which Alix and Ex-Ops defend the US against are Greater USSR, Greater Germany, and China. This imagined balance of power brings Germany out of defeat from World War II because of one critical event – the successful murder of Adolf Hitler by his own men, allowing the Nazi party to flourish. This tenuous balance of power reminded me a bit of the changing enemies of George Orwell’s 1984.
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Presented in both Alix’s voice as the first person narrator and ‘official’ government communiques and news clippings, Almasi achieves a great level of authenticity in Blades of Winter. The dialogue between Alix, her colleagues, her lover, and her mother all ring true. The slight changes, or ripples in the lake, Almasi’s world posits lends a more plausible feel. History and urban legend have combined in the Shadowstorm saga to give the Nazis a greater level of technological prowess allowing for the advancements in biomechanical enhancements employed by Alix and her peers. The novel brings things a bit more contemporary with conflict in the Middle East taking center stage towards the end of the novel.

Nila is on tap with the translation/international bestseller in the form of Félix J. Palma’s Map of Time: 

Told in three parts, we are welcomed to the world of The Map of Time by an unnamed narrator, a sort of ring-master, who tells us, “Your emotion and astonishment are guaranteed.” After raising an eyebrow to that, the reader might pause to think upon this bold statement, but once you turn the page, there’s no looking back, because we immediately meet Andrew Harrington, a young, well-to-do gentlemen in a bit of predicament: He can’t decide which of his father’s pistols he should use to kill himself.
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Though The Map of Time is well-written, it needed a much stronger editor. There were large passages where the same information was re-told (I imagine a holdover from when the stories stood on their own), overly long letters dump the story on the reader (yes, I know, that’s a literary style), and moral and philosophical tangents, while interesting, were entirely superfluous. The book could have been cut in half and made much better for it – in my opinion.

With the debut and translation out of the way, that leaves Mark’s review as the one focused on a memoir whose subject is the first Summer Blockbuster Jaws. The book is Jaws: Memories from Martha’s Vineyard by Matt Taylor:

The book is more than a reminder of the film. It is a record of the making of a classic film on the New England island of Martha’s Vineyard. Not only do we have a foreword by Spielberg on the importance of the location in setting the scene for the movie, but the book has interviews with production designer Joe Alves and screenwriter Carl Gottlieb about how the film was developed. For this new second edition, there are sixteen pages of photos never seen before, including storyboards from Joe Alves and photos from crew members’ private photos.

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The film was, by many accounts, not an easy one to make, with problems on location and with the mechanical shark prop, budget overruns and scheduling issues, amongst many others. The book does not gloss over these issues, and as a result shows how difficult such a film can be to make. (It also made me realise how difficult making any film involving the ocean can be, which is probably why we don’t see that many!) In the days of filmmaking before ‘everything was done in a computer’, it is a summation of the craft of old-fashioned filmmaking.

Abercrombie, Cobley & Aaronovitch Reviewed at SFFWorld

Nila joins the crew (Mark and me) again this week for three reviews. Thanks to Hurricane Sandy, I’ve no power and had to wait until I was able to get somewhere with power to post these reviews. Mark looks at one of the top fantasy releases of the year, I review a solid, exactly-what-Space-Opera-should-be Space Opera and Nila continues her back-and-forth jaunt with Peter Grant. …


Members of the SFFWorld Forums (as well as readers of fantasy in general) tend to rate Joe Abercrombie very highly, with each new book being one of the most anticipated in the fantasy genre in the year of its initial publication. Mark was the first of us to review Red Country is a great success:

If you’ve read Joe before, there’s a lot here you’ll like. Red Country is as dark, as cynical, as violent and as grimly-humorous as we have come to expect. The characters are as un-stereotypical as ever. The ‘heroes’ are not your clean-cut type, your ‘villains’ are at times worthy of your sympathy, even when they are quite horrendous elsewhere. For example, Shy is that Abercrombean archetype of ‘feisty female’, a damaged person with a troubled past, a murderer and a thief, but perhaps younger and without the total cynicism of Monzcarro Murcatto (of Best Served Cold). If nothing else, Red Country is the tale of her rite of passage.
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Interestingly, this is a shorter novel than most of the Abercrombie canon. (The Heroes is about 50 pages longer, at a quick glance.) This is to the book’s benefit. Red Country reads quickly and well, and, although it dips a little in the middle, is tighter and more focused than many of the previous novels. Here, rather like The Heroes, the events written are relatively small scale – important to those involved, but unlike The First Law books, not exactly world-changing. Which is perhaps Joe’s point, in the same way that The Heroes was one small battle in a bigger picture. Violence is violence, regardless of scale. Red Country should quell those complaints about ‘bloated fantasy novels’ often leveled at genre writers.

Sometimes you are hoping for a specific kind of story when you open a book, in this case, I was hoping for an exciting galaxy-spanning Space Opera. With Seeds of Earth the first installment of Michael Cobley’s Humanity’s Fire, I was very pleased:

What makes Seeds of Earth a novel full of that grand sense of wonder, in part, is the many non-human races who comprise the galaxy. Humans (and the Swarm) are far from the only sentient beings in the galaxy. On Darien, humanity has befriended the Uvovo, a race with mystical, symbiotic ties to their world. Our point characters with the Uvovo are Greg, the scientist who’s been studying the race and its history and Chel, his Uvovo Scholar friend and advisor. The two become friends and confidants before, during and after Chel undergoes a Uvovo ritualistic transformative ceremony called husking (which bears some similarities to the transformative race of the Piggies (aka Pequeninos) in Orson Scott Card’s Speaker for the Dead).
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Seeds of the Earth is a vast-canvas galactic space opera that exemplifies the qualities readers so enjoy in this space opera renaissance – multi-planetary society, dependence on artificial intelligence, alien horde as the enemy, mystical/mysterious alien allies, colonization of humanity, and more importantly he uses these familiar ingredients in a way that is fresh. Cobley packs a lot of ideas and elements into the novel which flows fairly organically. For example, the artificial intelligence utilized by Earth humans is considered the Dreamless by he spirit of the planet Darien.

Working backwards through the Peter Grant series by Ben Aaronovitch, Nila reviews Moon Over Soho:

Much like in Rivers of London, Peter Grant gets caught up in the magical underworld of London all over again in Moon Over Soho. We are introduced to a new nefarious wizard that I predict we’ll see more of in the third book, we encounter sexy (and almost sparkly) vampires, and the river gods make a token appearance, as does Peter’s old partner, Leslie – the one with a busted face. The fledgling wizard/constable also has to deal with chimera – the unholy mix of human and animals – sex slaves. Oh, yeah, and there’s something biting off men’s penises.

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With that said, Moon Over Soho delivers in magical punch what it doesn’t in the series’ recurring characters. We get to meet shadowy figures in a sinister plot, and a new adversary that will keep Peter on his toes. The relationship between he and Leslie is evolving, and I’m anxious to see where Leslie does with her time off to heal. All in all, a lot of new story questions that will keep you coming back for more..

Katya's World, Martian War & The Dead of Winter at SFFWorld

Going on two weeks in a row, here are three reviews from the same gang as last week …


Jonathan L. Howard has published a few adult fantasy novels and now with Katya’s World
he launches a new young adult series for the fine folks at Strange Chemistry:

Jonathan L. Howard’s Katya’s World tells the story of the human colony world Russalka; a world whose surface is primarily water. As such, much of the action takes place on a submarine and focuses on Katya Kuriakova, a young cadet in the navy. Evoking the juvenile novels of Robert A. Heinlein and the claustrophobic atmosphere of Tom Clancy’s The Hunt for Red October, it has been suggested that Howard is starting a submarine-punk trend with Katya’s World. Be that as it may, and whatever one wishes to label the novel, Howard has given readers a fun, engaging novel that is the tip of an iceberg of a series.

Katya is a smart young girl whose sense of loss and detachment is cloud that covers her character, but pleasingly, this element of her character is just one fraction. From her interactions with her uncle to the even more engaging discussions she has with Kane, Katya is bright young girl. She’s headstrong but Howard smartly keeps her on the positive side of too plucky. Her smarts are evident in her actions and it becomes clear her promotion at the beginning of the novel is justified.

Mark takes a look at another mash-up from sorts from Kevin J. Anderson. This time, Anderson’s The Martian War recasts H.G. Wells’s The War of the Worlds:

Kevin’s version combines fiction with ‘real’ people. Not only is the author HG Wells a key character, but the evolutionist and scientist Professor TH Huxley, who, as a mentor of Wells, introduces HG to a covert symposium of like-minded scientists, working for the British government against an impending war versus Germany. The sudden arrival of Doctor Moreau (see Wells’ The Island of Doctor Moreau) raises their awareness to a possible invasion from Mars. Moreau has been working for astronomer Percival Lowell in the Sahara Desert recreating the Martian canals to let the Martians know of intelligent life on Earth. Lowell doesn’t realise that letting others know of human intelligence can make the humans a threat rather than an ally, something Lowell comes to regret...

As before, with Nemo, one of the great fun things about such a novel is the way it combines real people with fictional characters. Here, as well as TH Huxley, astronomer Percival Lowell, and Giovanni Schiaparelli, (the original cartographer of the ‘canals’ on Mars), we have the fictional Dr. Moreau, Hawley Griffin (from The Invisible Man) and Selwyn Cavor (from The First Men in the Moon) amongst others. It is great fun spotting the references, some subtle, others less so. Even ol’ Jules Verne gets a mention.

Nila reviews The Dead of Winter, the first in a vampire/western hybrid from Lee Collins

The Dead of Winter is about Cora Oglesby; spook hunter, devoted wife, drunk, and faithful minion of a Christian God. She’s also a damn good shot. She and her husband, Ben Oglesby, arrive in Leadville, Colorado in the dead of winter (imagine that) after the local sheriff and his deputy run across something that just don’t sit right in their minds.

In the forest around town, something took down two wolf hunters, making a bloody mess without leaving a trace of the bodies. After negotiating terms with Cora and Ben, the sheriff hands over responsibility to the spook hunters and off they go into the woods to catch their monster..

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The Dead of Winter is an interesting and entertaining story about a hard and flawed woman who must face her own sins to beat her arch-enemy. A well written story, with good pacing, the story is told in the third person. The novel is written primarily from Cora’s point of view, but the author takes occasional forays into other characters’ heads in a fashion that can be a bit disconcerting. Though Mr. Collins maintains the point of view shifts more steadily in the second half of the book, he does a bit of jumping during the first part. Just bear with it, Mr. Collins eventually settles the ride for you (sorry, it’s a western, I can’t seem to shake the vernacular).

Dirty Streets in the Future Underground - 3 New SFFWorld Reviews

Three, count ‘em three reviews to mention this week! Joining Mark and I once again is the great N.E. White (aka tmso in the SFFWorld Forums. We’ve got two urban fantasies and one alternate future history…


People who have been reading my blog for a while or have come to know me through the SFFWorld Forums are likely aware that Tad Williams is one of my favorite writers of the fantastic. So it was cautious optimism that tempered my initial reaction to the news Mr. Williams was trying something new, paring down from large-scale epic to the more slim Urban Fantasy of The Bobby Dollar Novels. The Dirty Streets of Heaven is a great success:

Dolorious, a.k.a. Bobby Dollar, is our first person narrator and one of many ‘Advocate’ angels who argue against the denizens of Hell for recently deceased souls. As an advocate, Bobby often appears just as people die and similar to the role a lawyer plays, he must argue for the soul’s place in Heaven. What becomes evident is how not all souls who may have seemed virtuous get immediate entrance to the pearly gates. Hell’s advocates are vicious and much like prosecutors whereas the angelic Advocates seem to be more of the defense. Shortly into the meat of the novel, a soul whose owner committed suicide vanishes as Bobby and his antagonists from Hell arrive to argue for the man’s soul. This has never happened before and sets in motion what becomes a layered and entertaining plot.

I’ve long been a fan of the of biblical themes receiving the “gritty” treatment, making Heaven and Hell much deeper than their biblical indications would lead one to believe. After all, my senior thesis in college was on such a topic. In that essay, I recall mentioning the comic book Spawn which depicted the conflict between heaven and hell in a similar light as does Tad Williams with an emerging third faction. In The Dirty Streets of Heaven, this conflict between Heaven and Hell is more of an underneath the surface thing and informs the characters and setting more so than actually being a primary plot point. In one interview with Tad Williams, the great writer Michael Moorcock came up as an influence, specifically the similarities between Moorcock’s depiction of the eternal conflict between Chaos and Order. I’d also point to Steven Brust’s To Reign in Hell which also grittifies the conflict between Heaven and Hell and even the great Tim Burton film Beetlejuice in how the afterlife is a bureaucratic extension of the real world dictated by unseen higher ups down to street walking ‘grunts’ and pencil-pushing desk jockeys.

Mark has long been a fan of David Wingrove’s Chung Kuo series and is following along with the major re-release of the series. The latest installment is The Middle Kingdom which is now book three but was originally book one:

After the setting of the scene in Son of Heaven, and the seriously violent events at the conclusion of Daylight on Iron Mountain, here’s where the story begins to move up a gear and many of the epic story’s main characters are introduced.

Beginning in 2190, the book briefly recaps on the events outlined in Daylight on Iron Mountain: the fall of the US, the nuking of Japan and the subjugation and ethnic cleansing of Africa. These events alone would make an epic story, though they are dealt with here in the matter of a few pages.

With such a list of characters it should be obvious that this is a complex and lengthy scenario where the reader is expected to be in for the long game and therefore and not everything is resolved here in The Middle Kingdom. What keeps the reader’s interest is the juxtaposition between all these disparate and often conflicting elements. The cultural values of the Han are very different to what we see in our Westernised society today, and the way that the old traditional values are combined with the new way of progress is jaw-dropping in their implementation. (Think of the film Blade Runner for such a similarly intriguing mix of Western and Eastern values.) The Han regime is harsh, from their point of view necessarily so, but the promise for the bright and glorious future makes it potentially worthwhile. Not all in positions of power see it this way, of course, and there are secret plans and counterplots a-plenty in order to both overthrow and maintain the current positions of power.

Nila reviews Whispers Underground, the third Peter Grant series by Ben Aaronovitch, an urban fantasy series that has been gaining some good buzz over the past couple of years.

 

The story begins with a ghost, of course. An offbeat, neighborhood kid named Abigail has found a ghost living in an old tunnel beneath her school. She decides to tell Peter, whom she knows deals with “weird magic stuff”. Together with his partner, Leslie May, whose face fell off in the first book, the three head on down to investigate. Mr. Aaronovitch sets the book’s mood with this opening scene, and while not the focus of the book, we learn a bit about the magic Peter can wield and the new, tenuous relationship he has forged with his new magic-constable partner, Leslie.

As is customary of this series, the reader is in for an educational treat on the history of one of London’s neighborhoods, and police procedurals. In this case, we get a peek into the BTP (British Transport Police) and the underground system that is vast and just might include secret tunnels and a race we’ve never seen before. Maybe.