Humans have been discovered on the Outworlds. And the Army decides to send emissaries. Emissaries like Jason Wander. As intraplanetary conflicts rage around him, and the personal stakes get ever higher, Jason finds that playing planet-hopping politician can be harder than commanding armies. When united mankind squares off to battle the Slugs for a precious interstellar crossroad, Jason will discover that the most dangerous enemy may be the one he least expects.
The mission to planet Quofum is supposed to be a quickie for Captain Boylan and his crew. Boylan is tasked with delivering four scientists–two men, one woman, and one thranx–to the unknown world, setting up camp while the experts investigate flora and fauna, then ferrying them safely home. The first surprise is that Quofum, which regularly slips in and out of existence on Commonwealth monitors, is actually there when Boylan and company arrive. The second surprise is more about what Quofum is not: The planet is not logical, ordered, or rational.
The team encounters three intelligent, warring species–some carbon-based, others silicate-based, all bizarre–along with thousands of unique, often unclassifiable life-forms. Quofum’s wild biodiversity doesn’t appear to be natural. But if it is by design, then by whose, and for what purpose?
Interstellar antiquities dealer Alex Benedict receives a cryptic message asking for help from celebrated writer Vicki Greene—who has been mind-wiped. She has no memory of her past life, or of her plea for assistance. But she has transferred an enormous sum of money to Alex, also without explanation. The answers to this mystery lie on the most remote of human worlds, where Alex will uncover a secret connected to a decades-old political upheaval—a secret that somebody desperately wants hidden, though the price of that silence is unimaginable…
This looks like a good time to catch up with his writing.
Here’s a brief preview of the review I’ll be posting:
Throughout the course of the trilogy, Sanderson’s hand has been subtle in the clues he laid out in terms of the ultimate threat, but he has also managed to echo some of his literary predecessors. One of the literary devices I’ve enjoyed the most over the course of the novels is the diary quotes Sanderson uses as an opening for each chapter. These quotes hint at what just happened in a previous chapter involving a certain character, or what will happen in the chapter it leads and gives the story more resonance and authenticity. I liked how it allows Sanderson to tackle some of the themes of the novel without weighing down the narrative of the characters’ plight throughout. At times, some of these themes, particularly Ruin and Preservation as opposing forces, put me very much in the mind of Stephen R. Donaldson’s Thomas Covenant novels and the dichotomy between Lord Foul and The Creator. All told, some really good stuff here by Sanderson that is effective and enjoyable on many levels.
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